Dancing female figure thumbnail 1
Not currently on display at the V&A

Dancing female figure

Cameo
late 18th century (made)
Artist/Maker
Place of origin

This is a cameo made in the 18th century in Italy. The cameo is carved in white onyx and depicts a draped female figure formerly on a porphyry pedestal.

The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byzantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment.
Many gems were carved in the neo-classical style popular in the late 1700s and early 1800s, when taste in the arts echoed the subject matter and style of the Greek and Roman masters. Thousands of gems were made in this style in Italy and brought back by British Grand Tourists, who went there to visit the newly-discovered classical antiquities and archaeological sites.


Object details

Categories
Object type
TitleDancing female figure (generic title)
Materials and techniques
Carved white onyx
Brief description
Cameo, fragment, carved onyx, depicting a female figure, Italy, 18th century
Physical description
Carved white onyx cameo depicting a draped female figure formerly on a porphyry pedestal.
Dimensions
  • Height: 30.5mm
  • Width: 15.5mm
Irregular outline
Object history
Bought from the ex Webb Collection in 1874.
Subject depicted
Summary
This is a cameo made in the 18th century in Italy. The cameo is carved in white onyx and depicts a draped female figure formerly on a porphyry pedestal.

The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byzantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment.
Many gems were carved in the neo-classical style popular in the late 1700s and early 1800s, when taste in the arts echoed the subject matter and style of the Greek and Roman masters. Thousands of gems were made in this style in Italy and brought back by British Grand Tourists, who went there to visit the newly-discovered classical antiquities and archaeological sites.
Bibliographic reference
List of Objects in the Art Division, South Kensington, Acquired During the Year 1874, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 20
Collection
Accession number
262-1874

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Record createdOctober 29, 2004
Record URL
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