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Portrait of Eva Maria Veigel

Pastel
ca.1755 (made)
Artist/Maker
Place of origin

This portrait depicts Eva Maria Veigel (also known as Violetti, 1725-1822), a Viennese dancer who performed with the Italian Opera Company at the King’s Theatre in London. Following her marriage to the actor David Garrick (1717-1779), Veigel gave up performing but continued to entertain London’s high society. It was painted by Katherine Read (1723-1778), a Scottish artist who enjoyed considerable fame during her lifetime as a painter in pastel, oils, and miniature. Read travelled extensively and worked in Paris, Rome, Florence, and Venice – where she was instructed by the pioneer of pastel painting, Rosalba Carriera – before setting up a successful studio in London. She received commissions from other artists, members of high society, and even Queen Charlotte herself. Read exhibited at the Free Society and the Society of Artists during the 1760s along with Mary Benwell and Mary Black (a response to the Royal Academy’s appointment of Angelica Kauffman and Mary Moster), and later moved from the Society to the Royal Academy. In 1775, the artist decided to travel to India with her niece and fellow artist Helena Beatson. She continued to paint and draw in Madras, but few of these works survive today. A testament to her skill, Read became known as the ’Rosalba of Britain’ and she was frequently celebrated in contemporary accounts and newspaper articles.


Object details

Categories
Object type
TitlePortrait of Eva Maria Veigel (generic title)
Materials and techniques
Pastel
Brief description
Portrait of Eva Maria Veigel (mrs Garrick), by Katherine Read, pastel, ca. 1755
Physical description
Pastel portrait of Eva Maria Veigel (Mrs Garrick) wearing a green dress with flowers and pink ribbon, a blue shawl, and a white headwrap exposing a single pearl earring.
Dimensions
  • Height: 58.7cm
  • Width: 48.3cm
Dimensions taken from Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1963. London: HMSO, 1964.
Styles
Credit line
Bequeathed by Mrs M. V. Cunliffe
Object history
There are two stipple engravings after this portrait: (1) undated, in the Department of Prints and Drawings (E.146-1963); (2) W. P. Sherlock, 1802, in the Enthoven Collection. A miniature copy after this portrait is in the Garrick Club (see C. K. Adams, Catalogue of Pictures in the Garrick Club), 1936, p.129, No.427 i). On pastel, see Lady Victoria Manners Connoisseur, Vol.89 (1932), p.171.
Subject depicted
Summary
This portrait depicts Eva Maria Veigel (also known as Violetti, 1725-1822), a Viennese dancer who performed with the Italian Opera Company at the King’s Theatre in London. Following her marriage to the actor David Garrick (1717-1779), Veigel gave up performing but continued to entertain London’s high society. It was painted by Katherine Read (1723-1778), a Scottish artist who enjoyed considerable fame during her lifetime as a painter in pastel, oils, and miniature. Read travelled extensively and worked in Paris, Rome, Florence, and Venice – where she was instructed by the pioneer of pastel painting, Rosalba Carriera – before setting up a successful studio in London. She received commissions from other artists, members of high society, and even Queen Charlotte herself. Read exhibited at the Free Society and the Society of Artists during the 1760s along with Mary Benwell and Mary Black (a response to the Royal Academy’s appointment of Angelica Kauffman and Mary Moster), and later moved from the Society to the Royal Academy. In 1775, the artist decided to travel to India with her niece and fellow artist Helena Beatson. She continued to paint and draw in Madras, but few of these works survive today. A testament to her skill, Read became known as the ’Rosalba of Britain’ and she was frequently celebrated in contemporary accounts and newspaper articles.
Associated object
E.146-1963 (Copy)
Bibliographic references
  • Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1963. London: HMSO, 1964.
  • Neil Jeffares, Dictionary of Pastellists before 1800.
  • Memoirs of Dr Burney, London, 1832, I, p. 335f.
  • The early diary of Frances Burney, 1971, II, pp. 11f, 284.
  • Joanna Frew, 'Scottish Backgrounds and Indian Experiences,' Journal of Scottish Historical Studies 2 (2014): 167-198.
  • William Hayley, An Essay on Painting..., London, 1781.
  • Margery Morgan, 'Jacobitism and Art after 1745: Katherine Read in Rome,' Journal for Eighteenth-Century Studies 27, 2 (2008): 233-244.
  • Heidi A. Strobel, 'Royal Matronage of Women Artists in the Late-18th Century,' Woman's Art Journal 26, 2 (2005): 3-9.
Collection
Accession number
P.10-1963

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Record createdJune 30, 2009
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