Abstract with Eye and Breast
Watercolour
1938 (made)
1938 (made)
Artist/Maker | |
Place of origin |
Grace Pailthorpe (1883–1971) was a surgeon, psychoanalyst and Surrealist artist. In 1935 she met Reuben Mednikoff, an advertising artist 23 years her junior. They began a life-long collaboration in which they used Surrealist ‘automatic’ processes as methods of psychoanalytic experimentation. In this painting, Pailthorpe uses watercolour bleeding to create chance patterns which she has developed into figurative elements based on the unconscious associations they triggered. It was made in 1938, during Pailthorpe and Mednikoff’s formal association with the British Surrealist group. Eyes were a recurring motif for the Surrealist movement. In this work, the artist combines the spherical forms of eyes with those of breasts, reflecting her interest in the theories of Melanie Klein, a child psychoanalyst.
Object details
Categories | |
Object type | |
Title | Abstract with Eye and Breast (assigned by artist) |
Materials and techniques | Watercolour on paper |
Brief description | Watercolour, Abstract with Eye and Breast, by Dr. Grace Pailthorpe, 1938. |
Physical description | Watercolour had been applied to bleed into other colours, creating tendrils, rays and abstract forms. These shapes have been developed with harsher lines to create the spherical forms of eyes and breasts. Dated and inscribed with note. |
Dimensions |
|
Style | |
Marks and inscriptions |
|
Subjects depicted | |
Summary | Grace Pailthorpe (1883–1971) was a surgeon, psychoanalyst and Surrealist artist. In 1935 she met Reuben Mednikoff, an advertising artist 23 years her junior. They began a life-long collaboration in which they used Surrealist ‘automatic’ processes as methods of psychoanalytic experimentation. In this painting, Pailthorpe uses watercolour bleeding to create chance patterns which she has developed into figurative elements based on the unconscious associations they triggered. It was made in 1938, during Pailthorpe and Mednikoff’s formal association with the British Surrealist group. Eyes were a recurring motif for the Surrealist movement. In this work, the artist combines the spherical forms of eyes with those of breasts, reflecting her interest in the theories of Melanie Klein, a child psychoanalyst. |
Bibliographic reference | Haycock, David Boyd, Kirstie Meehan, and Sacha Llewellyn. British Surrealism. London: Dulwich Picture Gallery, 2020. p. 53 |
Collection | |
Accession number | P.40-1983 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 30, 2009 |
Record URL |
Download as: JSON