Unknown Man, formerly called Sir Thomas May thumbnail 1
Unknown Man, formerly called Sir Thomas May thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case RMC, Shelf 1, Box E

Unknown Man, formerly called Sir Thomas May

Portrait Miniature
1653 (painted)
Artist/Maker
Place of origin

Portrait, head and shoulders, turned slightly to right and looking to front. Features firmly hatched in brown and sanguine over a thick pale carnation ground; hair in dark brown washes with gouache heightening; collar in white over pale grey-brown wash; sleeves in white shaded with grey; background a blue wash lightened with pale opaque hatching, especially to right; a gold marginal strip; on vellum put down on a leaf from a table-book.

Frame: Nineteenth-century copper-gilt locket; the back flat and the straight sides with a half-round central moulding; the bezel turned over the convex glass; the hanger of cast metal set transversely with two side projections and a small button finial; flanked by thin flat wire spirals tapering through six turns. A label on the back of the case inscribed: William [deleted] Thomas May aged 25 by S Cooper in a nineteenth-century hand.


Object details

Categories
Object type
TitleUnknown Man, formerly called Sir Thomas May (generic title)
Materials and techniques
Watercolour on vellum put down on a leaf from a table-book
Brief description
Portrait miniature of an unknown man, formerly called Sir Thomas May, watercolour on vellum, painted by Samuel Cooper, 1653.
Physical description
Portrait, head and shoulders, turned slightly to right and looking to front. Features firmly hatched in brown and sanguine over a thick pale carnation ground; hair in dark brown washes with gouache heightening; collar in white over pale grey-brown wash; sleeves in white shaded with grey; background a blue wash lightened with pale opaque hatching, especially to right; a gold marginal strip; on vellum put down on a leaf from a table-book.

Frame: Nineteenth-century copper-gilt locket; the back flat and the straight sides with a half-round central moulding; the bezel turned over the convex glass; the hanger of cast metal set transversely with two side projections and a small button finial; flanked by thin flat wire spirals tapering through six turns. A label on the back of the case inscribed: William [deleted] Thomas May aged 25 by S Cooper in a nineteenth-century hand.
Dimensions
  • Height: 52mm
  • Width: 42mm
Dimensions taken from John Murdoch Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
Style
Marks and inscriptions
  • 'S.C:/ 1653' (Signed in gold, centre right)
  • 'S3/210/-' (Inscribed on the back, late inscriptions in pen)
  • 'S Cooper/ [1653]?' (Inscribed on the back in graphite)
Credit line
Salting Bequest
Object history
Provenance: By 1862, Samuel Addington; sold Christie's 26 April 1883,lot 105; bt Joseph £53.11s.; by 1887, J L Propert; acquired by Salting from the FAS, 1897, and by him bequeathed to the Museum, 1910.
Subject depicted
Bibliographic references
  • Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
  • Robinson, J.C. (ed.). Catalogue of the Special Exhibition of Works of Art of the Mediaeval, Renaissance, and more recent periods: on loan at the South Kensington Museum, June 1862. London: Printed by George E. Eyre and William Spottiswoode for H.M. Stationery Office, rev. ed. January 1863. no. 1909
  • Catalogue of the Special Exhibition of Portrait Miniatures on Loan at the South Kensington Museum, London, Whittingham & Wilkins, 1865 no. 304
  • Exhibition of Portrait Miniatures, London : Burlington Fine Arts Club, 1889 25
  • Catalogue of the historical collection of miniatures formed by Mr. Lumsden Propert and exhibited at the Fine Art Society. London : Fine Art Society, 1897 no.55
Collection
Accession number
P.121-1910

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Record createdJune 30, 2009
Record URL
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