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Portrait of a woman aged 23 in a feigned oval

Portrait Miniature
1684 (made)
Artist/Maker
Place of origin

A well-dressed woman stands three-quarter length in a feigned oval, turned slightly to her right, holding a fan in her right hand. She wears an embroidered indoor cap that ends in a sharp peak onthe forehead, over a cluster of tight curls framing her face. Her satin dress, with a pleated bodice, low waist and short sleeves, is worn over a white blouse with crocheted edges and puffed sleeves. She wears large pendant earrings, and on the little finger of her left hand is the engagement ring held by the gentleman in the pendant male portrait.


Object details

Categories
Object type
TitlePortrait of a woman aged 23 in a feigned oval (published title)
Materials and techniques
Lead pencil, with touches of opaque white, on vellum, laid down on panel.
Brief description
Plumbago Portrait, Portrait of a Woman aged 23 in a feigned oval, Johann Thopas, Dutch School, 1684
Physical description
A well-dressed woman stands three-quarter length in a feigned oval, turned slightly to her right, holding a fan in her right hand. She wears an embroidered indoor cap that ends in a sharp peak onthe forehead, over a cluster of tight curls framing her face. Her satin dress, with a pleated bodice, low waist and short sleeves, is worn over a white blouse with crocheted edges and puffed sleeves. She wears large pendant earrings, and on the little finger of her left hand is the engagement ring held by the gentleman in the pendant male portrait.
Dimensions
  • Height: 195mm (Note: Sight)
  • Width: 158mm (Note: Sight)
Unframed dimensions taken from Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1952. London: HMSO, 1963. Sight dimensions taken from Jane Shoaf Turner and Christopher White, Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum, London, 2014, Vol. 1, illustrated.
Style
Production typeUnique
Marks and inscriptions
  • 'J. Thopas. fecit.' (Signed)
  • 'Aetat. 23. 1684.' (Inscribed)
Gallery label
Small portrait drawings like this and its pair (P.27-19520 were developed in the Netherlands around 1600. They were known as ‘plumbago’ owing to the use of graphite, sometimes called ‘black-lead’. Thopas was the most prolific of the great plumbago artists of the ‘Rembrandt period’. This pair are traditional engagement portraits – the woman wears the ring that the man is holding. The couple’s sombre clothing and restrained poses are typical of Dutch Golden Age portraiture.
Object history
P. & D. Colnaghi & Co. Ltd (dealer), London; from whom purchased by the museum (with cat. no. 205), August/September 1952 for £70. 0s. 0d.
Subject depicted
Associated object
P.26-1952 (Pair)
Bibliographic references
  • Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1952. London: HMSO, 1963.
  • p. 135 Rudi Ekkart, Deaf, Dumb and Brilliant. Johannes Thopas, master draftsman London : Paul Holberton Publishing 2014. ISBN: 9781907372674.
  • Jane Shoaf Turner and Christopher White, Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum, London, 2014, vol. I, Cat. 206, illus. p.247.
Collection
Accession number
P.27-1952

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Record createdJune 30, 2009
Record URL
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