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The Crucifixion

Panel
mid 14th century (made)
Artist/Maker
Place of origin

This carved ivory panel of a Pax depicting the Crucifixion with the Virgin and St. John, was made in France, in the middle of the fourteenth century. The pax is one of the earliest examples known, predating the majority of pieces by more than half a century.

A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.


Object details

Categories
Object type
TitleThe Crucifixion (generic title)
Materials and techniques
Carved elephant ivory
Brief description
Pax, carved ivory panel, depicting the Crucifixion, France, middle of the 14th century
Physical description
Carved ivory panel for a Pax depicting the Crucifixion with the Virgin and St. John beneath a pointed arch with a crocketed gable above, with a trefoil in the spandrel; at the sides are buttresses, the pinnacles of which are broken away.
Dimensions
  • Height: 11.3cm
  • Width: 7.1cm
Credit line
Alfred Williams Hearn Gift
Object history
Previously in the Hearn collection, Menton; it was probalby acquired after the death of Alfred Williams Hearn (1842-1903) by his widow Ellen Hearn. Given by Mrs Hearn in 1923.
Subjects depicted
Summary
This carved ivory panel of a Pax depicting the Crucifixion with the Virgin and St. John, was made in France, in the middle of the fourteenth century. The pax is one of the earliest examples known, predating the majority of pieces by more than half a century.

A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
Bibliographic references
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part II, p. 28
  • Richter, T., Paxtafeln und Pacificalia. Studien zu Form, Ikonographie und liturgischem Gebrauch, Weimar, 2003, p. 212
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part 1, pp. 392-393
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part 1, pp. 392-393, cat. no. 136
Collection
Accession number
A.40-1923

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Record createdOctober 26, 2004
Record URL
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