The Crucifixion
Panel
mid 14th century (made)
mid 14th century (made)
Artist/Maker | |
Place of origin |
This carved ivory panel of a Pax depicting the Crucifixion with the Virgin and St. John, was made in France, in the middle of the fourteenth century. The pax is one of the earliest examples known, predating the majority of pieces by more than half a century.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
Object details
Categories | |
Object type | |
Title | The Crucifixion (generic title) |
Materials and techniques | Carved elephant ivory |
Brief description | Pax, carved ivory panel, depicting the Crucifixion, France, middle of the 14th century |
Physical description | Carved ivory panel for a Pax depicting the Crucifixion with the Virgin and St. John beneath a pointed arch with a crocketed gable above, with a trefoil in the spandrel; at the sides are buttresses, the pinnacles of which are broken away. |
Dimensions |
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Credit line | Alfred Williams Hearn Gift |
Object history | Previously in the Hearn collection, Menton; it was probalby acquired after the death of Alfred Williams Hearn (1842-1903) by his widow Ellen Hearn. Given by Mrs Hearn in 1923. |
Subjects depicted | |
Summary | This carved ivory panel of a Pax depicting the Crucifixion with the Virgin and St. John, was made in France, in the middle of the fourteenth century. The pax is one of the earliest examples known, predating the majority of pieces by more than half a century. A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory. The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child. |
Bibliographic references |
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Collection | |
Accession number | A.40-1923 |
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Record created | October 26, 2004 |
Record URL |
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