Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Apollo and Marsyas

Plaquette
1475-1500 (made)
Artist/Maker
Place of origin

Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Little is known about this mysterious artist. Some believe his name is a Greek pseudonym for Riccio as they both mean ‘curly head.’ Even if they were not the same person, Ulocrino was probably a member of Riccio’s circle. This plaquette represents an allegory of music and perhaps formed part of an inkstand or casket.


Object details

Categories
Object type
TitleApollo and Marsyas (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, Apollo and Marsyas, by Ulocrino, Italy (Padua), 1475-1500
Physical description
Bronze plaquette depicting Apollo and Marsyas. To the right Apollo, the quiver on his shoulder and a mantle over his back, seated holding a lyre and plectrum, a viol on the ground beside him. To the left Marsyas bound to a dry tree, the syrinx at his feet.
Dimensions
  • Height: 68.5mm
  • Width: 50.5mm
Credit line
Salting Bequest
Object history
From the Salting bequest.
Subjects depicted
Summary
Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Little is known about this mysterious artist. Some believe his name is a Greek pseudonym for Riccio as they both mean ‘curly head.’ Even if they were not the same person, Ulocrino was probably a member of Riccio’s circle. This plaquette represents an allegory of music and perhaps formed part of an inkstand or casket.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 66
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 27
  • Pope-Hennessy, John. Renaissance Bronzes from the Samuel H. Kress Collection. Reliefs - Plaquettes - Statuettes - Utensils and Mortars . London: 1965, pp. 71-72, no 240, fig. 344
Collection
Accession number
A.422-1910

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Record createdOctober 20, 2004
Record URL
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