Two Scenes from the Story of David thumbnail 1
Two Scenes from the Story of David thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Two Scenes from the Story of David

Plaque
ca. 1170-80 (made)
Artist/Maker
Place of origin

This is a carved ivory panel with traces of colour made in about 1170-80 in Germany. Stylistically this plaque is related to works of art produced in the Lower Rhine area at that time.
The scenes on the relief are explained with reference to three Kings, where David, on his deathbed, is urged to select Solomon as his successor as king of Israel. The bearded and crowned David is shown in his bed in an open building on the right, gesturing as if to introduce the next scene, with Sadoc, Nathan and Banaias in attendance. The same three figures are clearly shown on the left, accompanying the young, beardless but crowned Solomon, who is riding David's mule.
The relief probably formed part of the decoration of a stool, a 'faldistorium', a folding stool or throne.


Object details

Categories
Object type
TitleTwo Scenes from the Story of David (generic title)
Materials and techniques
Carved walrus ivory, formerly coloured
Brief description
Plaque, carved walrus ivory with traces of colour, depicting Two Scenes from the Story of David, Germany (Lower Rhine), ca. 1170-80
Physical description
Carved walrus ivory panel with traces of colour, depicting a king visiting another king. A king with three attendants on foot, rides from the left towards a low building in which, lying on a bed, is another king, who raises himself up as if to greet his visitor. Behind him are three more attendants.
The scenes on the relief are explained with reference to three Kings, where David, on his deathbed, is urged to select Solomon as his successor as king of Israel. The bearded and crowned David is shown in his bed in an open building on the right, gesturing as if to introduce the next scene, with Sadoc, Nathan and Banaias in attendance. The same three figures are clearly shown on the left, accompanying the young, beardless but crowned Solomon, who is riding David's mule. The back is entirely plain.
Dimensions
  • At left height: 4.7cm
  • At right height: 5.1cm
  • Length: 11.8cm
Object history
Purchased from Webb, £10.
The relief probably formed part of the decoration of a stool, a 'faldistorium', a folding stool or throne.

Historical significance: Stylistically this plaque is related to works of art produced in the Lower Rhine area towards the end of the 12th century
Subjects depicted
Summary
This is a carved ivory panel with traces of colour made in about 1170-80 in Germany. Stylistically this plaque is related to works of art produced in the Lower Rhine area at that time.
The scenes on the relief are explained with reference to three Kings, where David, on his deathbed, is urged to select Solomon as his successor as king of Israel. The bearded and crowned David is shown in his bed in an open building on the right, gesturing as if to introduce the next scene, with Sadoc, Nathan and Banaias in attendance. The same three figures are clearly shown on the left, accompanying the young, beardless but crowned Solomon, who is riding David's mule.
The relief probably formed part of the decoration of a stool, a 'faldistorium', a folding stool or throne.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 11
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part I, p. 80
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010, pp. 286, 7, cat.no. 75
Collection
Accession number
275-1867

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 18, 2004
Record URL
Download as: JSONIIIF Manifest