Christ as the Man of Sorrows
Pax
1425-1450 (made)
1425-1450 (made)
Artist/Maker | |
Place of origin |
This is an ivory pax made in the second quarter of the 15th century in North Italy, possibly Milan. The pax is carved in low relief depicting Christ as the Man of Sorrows attended by the Virgin and St. John, under a trefoil arch. The base of the tomb is ornamented with foliage, on the front are the words HUMYLITAS VINCIT (Humility Triumphs) in Gothic character, the first letters surmounted by a coronet. On the back is a bit (briole) in low relief. The inscription and the bit device belong to the Borromeo family.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
Object details
Categories | |
Object type | |
Title | Christ as the Man of Sorrows (generic title) |
Materials and techniques | Carved elephant ivory |
Brief description | Pax, ivory, carved in low relief, Christ as the Man of Sorrows, North Italian (possibly Milan), second quarter of 15th century |
Physical description | Ivory Pax, carved in low relief depicting Christ in the Sepulchre attended by the Virgin and St. John, under a trefoil arch. The base of the tomb is ornamented with foliage, on the front are the words HUMYLITAS VINCIT in Gothic character, the first five letters surmounted by a coronet. On the back is a bit (briole) in low relief. The inscription and the bit device belong to the Borromeo family. Christ is shown upright in the sepulchre with his arms crossed in front of his body; |
Dimensions |
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Marks and inscriptions |
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Object history | In the possession of John Webb, London, by 1862; purchased from Webb in 1867 for £8. |
Subjects depicted | |
Summary | This is an ivory pax made in the second quarter of the 15th century in North Italy, possibly Milan. The pax is carved in low relief depicting Christ as the Man of Sorrows attended by the Virgin and St. John, under a trefoil arch. The base of the tomb is ornamented with foliage, on the front are the words HUMYLITAS VINCIT (Humility Triumphs) in Gothic character, the first letters surmounted by a coronet. On the back is a bit (briole) in low relief. The inscription and the bit device belong to the Borromeo family. A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory. The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child. |
Associated object | REPRO.1873-274 (Copy) |
Bibliographic references |
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Collection | |
Accession number | 247-1867 |
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Record created | October 15, 2004 |
Record URL |
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