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A Hunting Party  thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

A Hunting Party

Mirror Case
ca. 1320 (made)
Artist/Maker
Place of origin

This is an ivory mirror back, made in Cologne or France, in about 1320, depicting a hunting party. During the 14th century specialist ivory sculptors carved both secular and religious objects in great numbers. Although Paris was the main centre of production, other workshops emerged in Italy and Germany. Some of the craftsmen may have been trained in Paris, since their work often combines French and local styles. Mirror cases and combs with scenes from the Romance tradition formed an essential part of the dressing case of a wealthy lady or gentleman.
Gothic ivory mirror backs survive in considerable numbers. The ivory cases themselves, usually between 8 and 14 cm in diameter, consisted of two paired ivory discs (described here as ‘mirror backs’), often with four crawling monsters or lions (or leaves) carved around the outer edge. These ornamental features would transform the circle into a square and make the opening of the case easier, although their vulnerability to breakage is now all too evident.
The majority of the ivory mirror cases and their leather boxes must have been purchased as expensive gifts, to be presented by the wealthy élite to their friends, family and lovers, and often as wedding presents. The subject matter of the mirror backs was almost exclusively secular.


Object details

Categories
Object type
TitleA Hunting Party (generic title)
Materials and techniques
Carved elephant ivory
Brief description
Mirror case, ivory, a hunting party, Lower Rhine (Cologne) or France, ca. 1320
Physical description
Carved ivory mirror case, depicting a hunting party with a knight and lady riding through a wood. The lady wears a hat with pointed brim, and the gentleman a jewelled fillet. He turns and rests his right hand on her shoulders while touching her chin, as if to turn her head towards him, with his left hand. Behind are two attendants, one holding a spear in his left hand; below a dog chases a rabbit. The rim is plain.
Dimensions
  • Height: 12.5cm
  • Width: 12.1cm
Style
Object history
In the possession of John Webb, London, by 1862 (London 1862, cat. no. 136); purchased from Webb in 1867, for £15.
Subjects depicted
Summary
This is an ivory mirror back, made in Cologne or France, in about 1320, depicting a hunting party. During the 14th century specialist ivory sculptors carved both secular and religious objects in great numbers. Although Paris was the main centre of production, other workshops emerged in Italy and Germany. Some of the craftsmen may have been trained in Paris, since their work often combines French and local styles. Mirror cases and combs with scenes from the Romance tradition formed an essential part of the dressing case of a wealthy lady or gentleman.
Gothic ivory mirror backs survive in considerable numbers. The ivory cases themselves, usually between 8 and 14 cm in diameter, consisted of two paired ivory discs (described here as ‘mirror backs’), often with four crawling monsters or lions (or leaves) carved around the outer edge. These ornamental features would transform the circle into a square and make the opening of the case easier, although their vulnerability to breakage is now all too evident.
The majority of the ivory mirror cases and their leather boxes must have been purchased as expensive gifts, to be presented by the wealthy élite to their friends, family and lovers, and often as wedding presents. The subject matter of the mirror backs was almost exclusively secular.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 8
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part II, p. 47
  • Maskell, W., A Description of the Ivories Ancient and Medieval in the South Kensington Museum, London, 1872 p. 85
  • Maskell, A., Ivories, London, 1905 pl. XLVIII
  • Koechlin, R., Les Ivoires gothiques français, 3 vols, Paris, 1924 (reprinted Paris 1968) I, pp. 376, 384, 385, 435, II, cat. no. 1034, III, pl. CLXXVIII
  • Gaborit-Chopin, Danielle. Ivoires du Moyen Age. Fribourg, 1978 p. 209
  • Randall Jr., Richard H. The Golden Age of Ivory. Gothic Carvings in North American Collections, New York, 1993 p. 124
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part II, pp. 568-569
  • Koechlin, R., 'Les Ivoires Gothiques', In: Michel, A., ed. Histoire de l'Art depuis les premiers temps chrétiens jusqu'à nos jours, II/1, Paris, 1906 p. 492
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part II, pp. 568-569, cat. no. 193
Collection
Accession number
222-1867

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Record createdOctober 14, 2004
Record URL
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