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Brass rubbing

Brass rubbing

  • Place of origin:

    Oxford (Rubbing from a brass in St. Mary-the-Virgin Church, made)

  • Date:

    1584-1928 (made)

  • Artist/Maker:

    Unknown

  • Materials and Techniques:

    Brass rubbing

  • Credit Line:

    Given by L. K. Behrens

  • Museum number:

    E.2524-1928

  • Gallery location:

    In Storage

Monumental brasses are commemorative plaques that served as effigies and were most commonly found in churches. The earliest examples come from the thirteenth century but they were popular up until the seventeenth century and then again in the Victorian Gothic Revival. Surviving brasses from the medieval period are limited due to the turbulent history of the Church but they do survive in considerable numbers in the East of England, Germany and Flanders. Made from an alloy of copper and zinc, a material known as latten, they were laid into church floors and walls. Monumental brasses are historically and stylistically significant because they record dress, architecture, armoury, heraldry (coats of arms and insignia) and palaeography (handwriting) in a dated object. In addition they tell the story of memorial and patronage.

The practice of recording brasses through a process of rubbing originates from the Victorian Gothic Revival. An early method of pouring printer’s ink into engraved lines and then placing damp tissue paper over the brass was replaced around the mid-nineteenth century with the more effective technique of using black shoemaker’s wax, known as heel ball. Brass rubbing continued to be a popular hobby into the twentieth century before the process was understood to cause damage to the brasses.

Physical description

A brass rubbing depicting effigies of a woman and her 7 sons and 5 daughters, all kneeling.

Place of Origin

Oxford (Rubbing from a brass in St. Mary-the-Virgin Church, made)

Date

1584-1928 (made)

Artist/maker

Unknown

Materials and Techniques

Brass rubbing

Dimensions

Height: 11 in, Width: 16.5 in

Descriptive line

Brass rubbing (effigies) of Malin Boys, with 7 sons and 5 daughters, St Mary-the-Virgin Church, Oxford

Bibliographic References (Citation, Note/Abstract, NAL no)

Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. London: HMSO, 1929

Materials

Paper

Techniques

Rubbing

Subjects depicted

Subject; Woman; Children

Categories

Rubbings

Collection

Prints, Drawings & Paintings Collection

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