Winogrand is known for his rapidly composed street photographs, which often include humorous juxtapositions. By pointing his camera from the illuminated interior into the dark night, capturing the blank silhouettes of the advertising images taped to the window, he presents a mysterious and melancholic view of two intertwined elements of modern American life: fast food and the car. The man and car outside appear as if seated at the table, sharing a meal with four empty chairs.