Tutu
1966
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Place of origin |
Costume for the leading female dancer worn by Suzanne Farrell. Classical tutu. Boned strapless bodice of ivory wild silk supported by flesh coloured elastic over the shoulders; attached to the elastic at the top of the shoulders are pale pink fine organza kimono sleeves bordered with bold lurex Russia braid. The top of the bodice is edged with narrow gold braid studded with small brilliants, which continues over the elastic straps and the top edges of the sleeves and the back edge of the bodice. Vertical bands of the same braid cover the seams down each breast and centre front and back side seams. The top edge of the bodice is trimmed with small artificial pale pink flowers and brilliants. At the hip line, the bodice finishes between each seam in a point, accented with a cluster of three brilliants. From immeadiately under the bodice and over the top skirt of the tutu is a narrow sunray-pleated frill of gold gauze. The skirt is of three layers of double silk - the innermost of white has a serrated edge and inserted hoop support. The two top layers are formed of individual centre-seamed petals, the upper layer of white shot ivory silk, the lower, wider skirt, of white. The point of each petal and the join between each petal on the upper layer defined by a diamond brilliant. Trimmed throughout in gold.
Object details
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Brief description | Tutu for a female dancer in 'Bugaku', New York City Ballet, ca. 1965. |
Physical description | Costume for the leading female dancer worn by Suzanne Farrell. Classical tutu. Boned strapless bodice of ivory wild silk supported by flesh coloured elastic over the shoulders; attached to the elastic at the top of the shoulders are pale pink fine organza kimono sleeves bordered with bold lurex Russia braid. The top of the bodice is edged with narrow gold braid studded with small brilliants, which continues over the elastic straps and the top edges of the sleeves and the back edge of the bodice. Vertical bands of the same braid cover the seams down each breast and centre front and back side seams. The top edge of the bodice is trimmed with small artificial pale pink flowers and brilliants. At the hip line, the bodice finishes between each seam in a point, accented with a cluster of three brilliants. From immeadiately under the bodice and over the top skirt of the tutu is a narrow sunray-pleated frill of gold gauze. The skirt is of three layers of double silk - the innermost of white has a serrated edge and inserted hoop support. The two top layers are formed of individual centre-seamed petals, the upper layer of white shot ivory silk, the lower, wider skirt, of white. The point of each petal and the join between each petal on the upper layer defined by a diamond brilliant. Trimmed throughout in gold. |
Dimensions |
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Production type | Unique |
Credit line | Given by Cecil Beaton |
Object history | Costume for a female dancer in George Balanchine's ballet Bugaku. The ballet, with music by Toshiro Mayuzumi, was first performed by the New York City Ballet at the City Center of Music and Drama, New York on 20th March 1963. The scenery was designed by David Hays and the costumes were designed by Karinska. Allegra Kent and Edward Villella created the leading roles. The work has also entered the repertoires of other ballet companies, including the San Francisco Ballet and The Royal Ballet. The costume was given by the designer to Cecil Beaton, who gave it to the museum for inclusion in the Cecil Beaton Collection. Along with other Bugaku costumes given by Karinska, it was transferred to the collections of the V&A Theatre Museum in 1975. |
Production | Reason For Production: Commission |
Association | |
Literary references |
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Bibliographic reference | New York City Ballet by Peter Williams, John Percival, and Noel Goodwin.
Article in 'Dance & Dancers', London, June 1963, pp. 16-19. |
Collection | |
Accession number | S.389-1985 |
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Record created | September 23, 2004 |
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