Fresco ceiling section attributed to Alessandro Pampurino, originally from Casa Maffi, Cremona, purchased from Stefano Bardini

Photograph
ca. 1889 (photographed)
Image of Gallery in South Kensington
On display at V&A South Kensington
Prints & Drawings Study Room, level F
Artist/Maker
Place Of Origin

Sir Henry Cole, the visionary first director of the Museum, saw early on the potential of photography to dramatically extend the visual range of resources available to artists and students. In 1856 he appointed Charles Thurston Thompson as ‘Official Museum Photographer’ and the ‘first museum photographic service’ came into being.

Photographs such as these were originally collected by the National Art Library as part of a programme to record works of art, architecture and design in the interest of public education, these photographs were valued as records and as source material for students of architecture and design. As well as being crucial records of the history of the V&A, and an important element within the National Art Library's visual encyclopaedia, these photographs are also significant artefacts in the history of the art of photography.

With the sudden death of Thurston Thompson in 1868, his sister, Isabel Agnes Cowper, assumed his position, possibility the first woman to hold such a role. Little is known about Cowper, but in her letter of resignation in 1891, she refers to herself as the Museum's 'Official Photographer. Cowper held the post for twenty-three years retiring in 1891. According to census records, as early as 1871, Cowper, a young widow, lived in the Museum residences assigned to staff with her three young children.

With maternal responsibilities, and subject to the social restrictions applied to woman in the nineteenth century, Cowper's freedom to travel was limited. As such, unlike Thurston Thompson, whose duties included travelling abroad documenting great works of art and architecture on dedicated photographic campaigns, the majority of Cowper’s work involved documenting objects in the museum collection and loans on display. This is just one of the thousands of Museum objects Cowper photographed in her role as ‘Official Museum Photographer’.


object details
Categories
Object Type
Brief Description
Photograph [possibly by Isabel Cowper], South Kensington Museum, Fresco ceiling section attributed to Alessandro Pampurino, originally from Casa Maffi, Cremona, purchased from Stefano Bardini, albumen print, ca. 1889
Physical Description
A sepia-coloured photograph of a section of a fresco ceiling.
Subject depicted
Summary
Sir Henry Cole, the visionary first director of the Museum, saw early on the potential of photography to dramatically extend the visual range of resources available to artists and students. In 1856 he appointed Charles Thurston Thompson as ‘Official Museum Photographer’ and the ‘first museum photographic service’ came into being.



Photographs such as these were originally collected by the National Art Library as part of a programme to record works of art, architecture and design in the interest of public education, these photographs were valued as records and as source material for students of architecture and design. As well as being crucial records of the history of the V&A, and an important element within the National Art Library's visual encyclopaedia, these photographs are also significant artefacts in the history of the art of photography.



With the sudden death of Thurston Thompson in 1868, his sister, Isabel Agnes Cowper, assumed his position, possibility the first woman to hold such a role. Little is known about Cowper, but in her letter of resignation in 1891, she refers to herself as the Museum's 'Official Photographer. Cowper held the post for twenty-three years retiring in 1891. According to census records, as early as 1871, Cowper, a young widow, lived in the Museum residences assigned to staff with her three young children.



With maternal responsibilities, and subject to the social restrictions applied to woman in the nineteenth century, Cowper's freedom to travel was limited. As such, unlike Thurston Thompson, whose duties included travelling abroad documenting great works of art and architecture on dedicated photographic campaigns, the majority of Cowper’s work involved documenting objects in the museum collection and loans on display. This is just one of the thousands of Museum objects Cowper photographed in her role as ‘Official Museum Photographer’.
Associated Object
428-1889 (Object)
Collection
Accession Number
PH.1670-1889

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record createdJune 30, 2009
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