Not currently on display at the V&A

Woman holding a fish

Painting
1872 (made)
Artist/Maker
Place of origin

John Griffiths was born in 1837. He studied at the Royal College of Art and then worked under Godfrey Sykes on the decorative work for the South Kensington Museum. One of his fellow assistants was John Lockwood Kipling, who became a life-long friend, and he was godfather to Kipling's son, Rudyard. The two of them were persuaded to go out to India on a three-year assignment, and in 1865 they sailed for Bombay, where they worked together for ten years at the Bombay School of Art. Griffiths undertook many commissions, including work on the Victoria Terminus and the High Court. His most important project in India was a government commission to record the paintings within the caves of Ajanta, an undertaking for which he employed a team of his most talented students. In 1879 Griffiths was appointed as Superintendent of the school returning to England in 1895. He died in 1918. This figure study shows his skill in observing and depicting local people.


Object details

Categories
Object type
TitleWoman holding a fish
Materials and techniques
Watercolour
Brief description
costume; Paintings, watercolour, J Griffiths, Bombay
Physical description
Side view of a woman holding a fish on her head. The woman wears a sari (draped between and around her legs) and a striped blouse.
Dimensions
  • Height: 42.8cm
  • Width: 24.7cm
Marks and inscriptions
B No 326.
Object history
Transferred from the India Museum in 1879. 1880 Register Entry: [Room 8. On The Wall.] '0931. FOUR FRAMES, glazed, containing seventeen drawings by J. Griffiths, of the School of Art, Bombay.' (No slip numbers given.)
Subject depicted
Summary
John Griffiths was born in 1837. He studied at the Royal College of Art and then worked under Godfrey Sykes on the decorative work for the South Kensington Museum. One of his fellow assistants was John Lockwood Kipling, who became a life-long friend, and he was godfather to Kipling's son, Rudyard. The two of them were persuaded to go out to India on a three-year assignment, and in 1865 they sailed for Bombay, where they worked together for ten years at the Bombay School of Art. Griffiths undertook many commissions, including work on the Victoria Terminus and the High Court. His most important project in India was a government commission to record the paintings within the caves of Ajanta, an undertaking for which he employed a team of his most talented students. In 1879 Griffiths was appointed as Superintendent of the school returning to England in 1895. He died in 1918. This figure study shows his skill in observing and depicting local people.
Bibliographic references
  • Rohatgi P. and Parlett G., assisted by Imray S. and Godrej P. Indian Life and Landscape by Western Artists: Paintings and Drawings from the Victoria and Albert Museum, 17th to the early 20th century. Published by Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, in association with V&A, London, 2008. ISBN 81-901020-9-5. p. 326, pl. 44
  • Patel, Divia; Rohatgi, Pauline and Godrej, Pheroza, "Indian Life and Landscape by Western Artists: an exhibition of paintings and drawings from the 17th to the early 20th century organised by the V&A and CSMVS". Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7 p[. 81
Collection
Accession number
0931D/(IS)

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Record createdSeptember 21, 2004
Record URL
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