Not currently on display at the V&A

Dress

1941
Artist/Maker
Place of origin

Costume worn by Tamara Toumanova. A backless dress, the bodice of which is made of see-through wide-meshed black silk netting. The high collar which holds the bodice in place and the front of the chest are encrusted with large artificial jewels and bunches of sequins in subtle shades of green, blue, aquamarine and purple, from which the few diamonds and pale garnets stand out. The bib of jewels is given form by a vermicular pattern of white braid sewn with small brilliants. The skirt of black georgette is formed of a fringed apron drawn between the legs. To the right of the waist there is a spray of twisted white braid spreading from a diamond with two pear-shaped diamond drops. Two black georgette floating panels are attached to the shoulders.


Object details

Object type
Materials and techniques
Brief description
Costume worn by Tamara Toumanova in 'Balustrade', 21st Street Theatre, New York, 1941
Physical description
Costume worn by Tamara Toumanova. A backless dress, the bodice of which is made of see-through wide-meshed black silk netting. The high collar which holds the bodice in place and the front of the chest are encrusted with large artificial jewels and bunches of sequins in subtle shades of green, blue, aquamarine and purple, from which the few diamonds and pale garnets stand out. The bib of jewels is given form by a vermicular pattern of white braid sewn with small brilliants. The skirt of black georgette is formed of a fringed apron drawn between the legs. To the right of the waist there is a spray of twisted white braid spreading from a diamond with two pear-shaped diamond drops. Two black georgette floating panels are attached to the shoulders.
Production typeUnique
Object history
Costume worn by Tamara Toumanova in George Balanchine's ballet 'Balustrade', Original Ballet Russe (formerly de Basil Ballets Russes de Monte Carlo), 51st Street Theatre, New York, 22nd January 1941. The music for the ballet was composed by Igor Stravinsky (the violin concerto), and the sets and costumes were designed by Pavel Tchelitchev. The ballet was performed only three times.
Production
Reason For Production: Commission
Associations
Literary referenceBalustrade
Bibliographic references
  • Strong, Roy, Ivor Guest, Richard Buckle, Sarah C. Woodcock and Philip Dyer, Spotlight: four centuries of ballet costume, a tribute to the Royal Ballet, London: Victoria and Albert Museum, 1981.
  • As worn by... : an exhibition of theatre, opera and ballet costumes by arrangement with the Theatre Museum, Salisbury : Salisbury Festival of the Arts, 1975 no.34
Collection
Accession number
S.161-1985

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Record createdSeptember 20, 2004
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