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  • Place of origin:

    Kent (Rubbing from a heraldic medallion in Herne Church, Kent, made)

  • Date:

    1773-1928 (made)

  • Artist/Maker:


  • Materials and Techniques:

    Rubbing from a heraldic medallion

  • Credit Line:

    Given by Mr. Nicolas E. Toke

  • Museum number:


  • Gallery location:

    In Storage

Monumental brasses are commemorative plaques that served as effigies and were most commonly found in churches. The earliest examples come from the thirteenth century but they were popular up until the seventeenth century and then again in the Victorian Gothic Revival. Surviving brasses from the medieval period are limited due to the turbulent history of the Church but they do survive in considerable numbers in the East of England, Germany and Flanders. Made from an alloy of copper and zinc, a material known as latten, they were laid into church floors and walls. Monumental brasses are historically and stylistically significant because they record dress, architecture, armoury, heraldry (coats of arms and insignia) and palaeography (handwriting) in a dated object. In addition they tell the story of memorial and patronage.

The practice of recording brasses through a process of rubbing originates from the Victorian Gothic Revival. An early method of pouring printer’s ink into engraved lines and then placing damp tissue paper over the brass was replaced around the mid-nineteenth century with the more effective technique of using black shoemaker’s wax, known as heel ball. Brass rubbing continued to be a popular hobby into the twentieth century before the process was understood to cause damage to the brasses.

Physical description

A rubbing of a heraldic medallion commemorating the Reverend William Foche who died in 1773.

Place of Origin

Kent (Rubbing from a heraldic medallion in Herne Church, Kent, made)


1773-1928 (made)



Materials and Techniques

Rubbing from a heraldic medallion


Height: 21.5 in, Width: 21.75 in

Descriptive line

Rubbing from a heraldic medallion commemorating the Reverend William Foche (d. 1773), from Herne Church, Kent

Bibliographic References (Citation, Note/Abstract, NAL no)

Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. London: HMSO, 1929





Subjects depicted



Rubbings; Commemoration; Heraldry


Prints, Drawings & Paintings Collection

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