Spoon thumbnail 1
Not currently on display at the V&A

Spoon

1699-1700 (made)
Artist/Maker
Place of origin

This is an example of a type of spoon described as a 'trefid' pattern, so-called after the way the end of the stem is split into three sections. The design is completely different to that of earlier spoons made in England, and is almost certainly inspired by contemporary examples from the Continent, particularly France. Goldsmiths' Company court minutes from the 1660s refer to 'French fashion spoons', which probably looked similar to this one. This new fashion meant the finial of the spoon was designed so that the spoon could be placed on the table with its open bowl down (the opposite of how it would be placed on the table today). The stamped decoration on the finial and bowl is achieved by hammering the spoon into a die in which the decoration has been cut. Spoons of this form decorated in this way are known as 'lace back' trefids, and they are perhaps the commonest and best-known type of decorated trefid. This is also an example of plate made to the higher standard of silver that became compulsory for the trade between 1696 and 1720. In 1696 an act of Parliament raised the standard of wrought plate from 925 parts of pure silver (known as ‘sterling standard’) to 958 parts of pure silver per thousand. This was an attempt to stop people removing silver coins of sterling standard from circulation and converting them into cups, dishes and other items of plate. The higher standard for plate was reflected in new marks: the mark of the lion passant (the sterling standard mark) was replaced by the figure of Britannia, and in London the mark of the London assay office (a leopard’s head crowned) was replaced by a lion’s head erased. After 1720, goldsmiths and their patrons could choose either sterling or Britannia standards for their wares.


Object details

Categories
Object type
Materials and techniques
Silver, stamped
Brief description
Spoon, Britannia standard silver, English (London), 1699-1700, mark of Thomas Allen
Physical description
Spoon, Britannia standard silver, trefid end, with a rat tail and drop; the spoon back and finial decorated with stamped scrolls (known as a 'lace back' trefid).
Dimensions
  • Tip of bowl to tip of finial length: 18cm
  • Weight: 39.9g
  • Width: 4.5cm
Marks and inscriptions
On the back of the stem, marks L to R: Maker's mark of Thomas Allen (Grimwade, no. 50); figure of Britannia for Britannia standard; lion's head erased, mark of London assay office for Britannia standard; date letter for assay year 1699-1700
Gallery label
Trifid end London Hallmark 1699-1700 Mark of Thos. Allen A. Hurst Bequest
Credit line
Bequeathed by Arthur Hurst
Subject depicted
Summary
This is an example of a type of spoon described as a 'trefid' pattern, so-called after the way the end of the stem is split into three sections. The design is completely different to that of earlier spoons made in England, and is almost certainly inspired by contemporary examples from the Continent, particularly France. Goldsmiths' Company court minutes from the 1660s refer to 'French fashion spoons', which probably looked similar to this one. This new fashion meant the finial of the spoon was designed so that the spoon could be placed on the table with its open bowl down (the opposite of how it would be placed on the table today). The stamped decoration on the finial and bowl is achieved by hammering the spoon into a die in which the decoration has been cut. Spoons of this form decorated in this way are known as 'lace back' trefids, and they are perhaps the commonest and best-known type of decorated trefid. This is also an example of plate made to the higher standard of silver that became compulsory for the trade between 1696 and 1720. In 1696 an act of Parliament raised the standard of wrought plate from 925 parts of pure silver (known as ‘sterling standard’) to 958 parts of pure silver per thousand. This was an attempt to stop people removing silver coins of sterling standard from circulation and converting them into cups, dishes and other items of plate. The higher standard for plate was reflected in new marks: the mark of the lion passant (the sterling standard mark) was replaced by the figure of Britannia, and in London the mark of the London assay office (a leopard’s head crowned) was replaced by a lion’s head erased. After 1720, goldsmiths and their patrons could choose either sterling or Britannia standards for their wares.
Bibliographic references
  • Grimwade, Arthur G.. London Goldsmiths 1697-1837. Their Marks and Lives. 1st edn. London: Faber and Faber, 1976.
  • Bradbury's book of hallmarks: a guide to marks of origin on English, Scottish and Irish silver, gold and platinum and on foreign imported silver and gold plate 1544 to 1992, Old Sheffield plate makers' marks, 1743-1860, originally compiled by Frederick Bradbury. New ed., rev. Sheffield: J.W. Northend Ltd., 1991. ISBN: 0901100285
  • Snodin, Michael. English Silver Spoons. London: Charles Letts, 1974. ISBN 850971101
  • Pickford, Ian. Silver Flatware. English, Irish and Scottish 1660-1980. Woodbridge, Suffolk: Antique Collectors' Club, 1983. ISBN 0907462359
Collection
Accession number
M.58-1940

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Record createdSeptember 10, 2004
Record URL
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