Bottle Ticket
ca. 1780 (made)
Artist/Maker | |
Place of origin |
‘Calvacella’ is a corruption of the word Carcavelos, a town near Lisbon. In the Peninsular War (1808-1814), the sweet amber wine from this region of Portugal was popular with the British Guards Brigade serving under the Duke of Wellington.
Bottle tickets identified the contents of a bottle or decanter, which might alternatively contain spirits, sauces, toilet waters or cordials. Contemporary gazettes begin to refer to ‘labels for bottles’ in the 1770s but it was not until the 1790s that they were established as wine or decanter labels.
These tickets also illustrate, in miniature, the skills of the silversmith over the last two hundred years. While the variety of styles and materials was enormous, silver bottle tickets tended to reflect fashionable designs and technical advances in metalware generally.
Hester Bateman was a successful woman silversmith. She learned her trade from her husband and set up in her own right on his death in 1760. She probably managed the workshop rather than made the silver herself. The firm produced cheaper, thin-gauge domestic tablewares using a limited range of ornament for largely middle-class customers. Members of her family, such as her daughter-in-law Ann and her son Peter, joined the business and continued it after her retirement in 1790. Insurance documents for 1802 show that the firm, with its own steam operated flatting mill, was one of the most technologically advanced in London. Bateman silver was exported to retailers and customers all over England and North America.
Bottle tickets identified the contents of a bottle or decanter, which might alternatively contain spirits, sauces, toilet waters or cordials. Contemporary gazettes begin to refer to ‘labels for bottles’ in the 1770s but it was not until the 1790s that they were established as wine or decanter labels.
These tickets also illustrate, in miniature, the skills of the silversmith over the last two hundred years. While the variety of styles and materials was enormous, silver bottle tickets tended to reflect fashionable designs and technical advances in metalware generally.
Hester Bateman was a successful woman silversmith. She learned her trade from her husband and set up in her own right on his death in 1760. She probably managed the workshop rather than made the silver herself. The firm produced cheaper, thin-gauge domestic tablewares using a limited range of ornament for largely middle-class customers. Members of her family, such as her daughter-in-law Ann and her son Peter, joined the business and continued it after her retirement in 1790. Insurance documents for 1802 show that the firm, with its own steam operated flatting mill, was one of the most technologically advanced in London. Bateman silver was exported to retailers and customers all over England and North America.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Silver with bright-cut engraving |
Brief description | Silver, London, ca.1780, mark of Hester Bateman |
Physical description | Bottle Ticket "CALVACELLA". Silver, oblong with bright-cut border and semi-circle of pierced scrollwork above; chain attached. |
Dimensions |
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Production type | Mass produced |
Marks and inscriptions |
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Credit line | P. J. Cropper Bequest |
Object history | Bequest - P. J. Cropper per W J Sheldrick Acquisition RF: 44 / 177 |
Historical context | "Calvacella" is Carcavelos near Lisbon. In the Penninsular War (1808-1814), this sweet amber wine from this region of Portugal was popular with the Guards Brigade serving under Wellington. |
Production | Reason For Production: Retail |
Subject depicted | |
Summary | ‘Calvacella’ is a corruption of the word Carcavelos, a town near Lisbon. In the Peninsular War (1808-1814), the sweet amber wine from this region of Portugal was popular with the British Guards Brigade serving under the Duke of Wellington. Bottle tickets identified the contents of a bottle or decanter, which might alternatively contain spirits, sauces, toilet waters or cordials. Contemporary gazettes begin to refer to ‘labels for bottles’ in the 1770s but it was not until the 1790s that they were established as wine or decanter labels. These tickets also illustrate, in miniature, the skills of the silversmith over the last two hundred years. While the variety of styles and materials was enormous, silver bottle tickets tended to reflect fashionable designs and technical advances in metalware generally. Hester Bateman was a successful woman silversmith. She learned her trade from her husband and set up in her own right on his death in 1760. She probably managed the workshop rather than made the silver herself. The firm produced cheaper, thin-gauge domestic tablewares using a limited range of ornament for largely middle-class customers. Members of her family, such as her daughter-in-law Ann and her son Peter, joined the business and continued it after her retirement in 1790. Insurance documents for 1802 show that the firm, with its own steam operated flatting mill, was one of the most technologically advanced in London. Bateman silver was exported to retailers and customers all over England and North America. |
Collection | |
Accession number | M.1045-1944 |
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Record created | September 10, 2004 |
Record URL |
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