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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 62, The Foyle Foundation Gallery

Apostle Spoon

1514-1515 (made)
Artist/Maker
Place of origin

Spoons depicting the 12 apostles (messengers of Christ) were popular throughout the 16th century. Individual apostle spoons were sometimes given as Christening gifts but intended for use. Groups depicting all 12 apostles were more likely to be owned by wealthier members of society (noblemen were more likely to have several dozen spoons in various shapes; a tradesman would have about six to 12). Few complete sets have survived. During the Reformation many religious images were destroyed, and silver was melted down and re-used.

St John the Evangelist, the figure on the finial of this spoon, was one of four who described the life of Jesus in the gospels (with Matthew, Mark and Luke). By the 13th century, it was common to depict St John holding a chalice with a serpent or dragon rising from it. Many believe this refers to an incident where John was handed a cup of poisoned wine, which he blessed, and the poison rose out of the cup in the shape of a serpent. On this spoon, St John’s hand is raised in a blessing and he holds a cup out of which a creature emerges.


Object details

Categories
Object type
Materials and techniques
Silver, with gilt finial
Brief description
Apostle spoon depicting St. John, silver with gilt finial, London, 1514-15
Physical description
Apostle spoon depicting St. John with deep fig-shaped bowl inscribed on the back with the initials IG, and a thick, tapering stem ending with a moulded capital, on which the figure stands. The figure holds a chalice with the left hand, out of which rises a creature, and gives the benediction with the right. The nimbus is engraved with rays.

The bowl and stem were hammered, the 'knop' or finial, cast. The finial was then soldered to the stem, and attached using a 'V' shaped joint, characteristic of London spoonmakers of this period.
Dimensions
  • Length: 18.5cm
  • Maximum width width: 5.2cm
  • Depth: 2.5cm
  • Weight: 0.06kg
Measured for the Medieval and Renaissance Galleries
Marks and inscriptions
  • A padlock or a gate (?)
    Translation
    Sponsor's mark (unidentified)
  • Inscribed I G
    Translation
    owner's initials
  • Leopard's head
    Translation
    Mark for London
  • Lower case gothic 'r'
    Translation
    Date letter for 1514-15
Gallery label
  • Apostle Spoon, St John Gilded finial London, around 1514 Mark, a padlock, unidentified Engraved IG on the reverse. The London date letter sequence began in 1478. Many goldsmiths adopted device marks rather than initials until around 1600. M.71-1921.(1999)
  • Apostle Spoons Spoons were used to dip into communal dishes. Usually guests brought their own, but sometimes the host would provide a set. These two spoons are apostle spoons, so called because they are decorated with the figures of Jesus's twelve followers. They were often sold in sets of twelve (or thirteen, to include Christ himself). Silver spoons were precious items, treaured as heirlooms and presented as gifts. With finial figure of St James the Great 1450-1500 England, Partially gilded silver Initials 'IK RM' engraved on the back Museum no. M.70-1921 With finial figure of St John the Evangelist 1514-15 England, London Partially gilded silver London hallmark and maker’s mark; initials ‘IG’ engraved on the back Museum no. M.71-1921(2010)
Object history
Purchase - £400 with M.65-71-1921
H.D. Ellis, 7 Roland Gardens
Acquisition RF: 21 / 1199

The London mark is struck inside the bowl near to the stem, whilst the date letter and the sponsor's mark are on the reverse on the stem. This arrangement is typical of the period.
Historical context
Spoons depicting the twelve apostles (messengers of Christ) were popular throughout the sixteenth century. Individual apostle spoons were sometimes given as Christening gifts but intended for use. Groups depicting all twelve apostles were more likely to be owned by wealthier members of society (noblemen were more likely to have several dozen spoons in various shapes, a tradesman would have aboutsix to twelve ). Few complete sets have survived. During the Reformation many religious images were destroyed, and silver was melted down and re-used.
Subjects depicted
Summary
Spoons depicting the 12 apostles (messengers of Christ) were popular throughout the 16th century. Individual apostle spoons were sometimes given as Christening gifts but intended for use. Groups depicting all 12 apostles were more likely to be owned by wealthier members of society (noblemen were more likely to have several dozen spoons in various shapes; a tradesman would have about six to 12). Few complete sets have survived. During the Reformation many religious images were destroyed, and silver was melted down and re-used.

St John the Evangelist, the figure on the finial of this spoon, was one of four who described the life of Jesus in the gospels (with Matthew, Mark and Luke). By the 13th century, it was common to depict St John holding a chalice with a serpent or dragon rising from it. Many believe this refers to an incident where John was handed a cup of poisoned wine, which he blessed, and the poison rose out of the cup in the shape of a serpent. On this spoon, St John’s hand is raised in a blessing and he holds a cup out of which a creature emerges.
Bibliographic references
  • How, Commander G.E.P English and Scottish Silver Spoons: Medieval to Late Stuart and Pre-Elizabethan Hall-Marks on English Plate vol II, Curwen Press, Plaistow, 1953, plate 16.
  • Peter Brown, ed. British Cutlery: An Illustrated History of Design, Evolution and Use York Civic Trust/Philip Wilson Publishers Ltd., 2001
Collection
Accession number
M.71-1921

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Record createdSeptember 10, 2004
Record URL
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