Brandy Taster
1675-1676 (made)
Artist/Maker | |
Place of origin |
Silver, two-handled, circular, flat-bottomed cup, embossed with grapes on the base, the side embossed with tulips.
Object details
Categories | |
Object type | |
Materials and techniques | Silver, embossed |
Brief description | Brandy taster, silver, London hallmarks for 1675-76, mark of John Richardson. |
Physical description | Silver, two-handled, circular, flat-bottomed cup, embossed with grapes on the base, the side embossed with tulips. |
Dimensions |
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Marks and inscriptions |
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Gallery label | Informal Drinking: Brandy
Brandy or 'Hottwater' was a popular drink in 17th-century northern Europe. Unlike ale, wine and cider it was not taxed until the 1690s, making it the cheapest alcoholic drink. Many inexpensive lightweight brandy cups survive.
45. Brandy cup
London, 1675-6
Mark PR, unidentified
Engraved on one side IB and on the other IA
W. J. Johnson Bequest. M.1699-1944
(1995-2000) |
Credit line | Bequeathed by W. J. Johnson |
Object history | John Richardson, who made this piece, was among the most important goldsmiths in London in the late seventeenth century. Born in Worcester in the early 1640s, he was apprenticed to the prominent London goldsmith Henry Greenway and eventually took over his master's business when Greenway retired in 1670. Richardson enjoyed a successful career: the scale of his activity is reflected in the number of apprentices (four) attached to his workshop, and in the importance of the commissions entrusted to him. These included candlesticks, flagons, a basin and altar cruets for Westminster Abbey, marked for London 1684-85. Personal matters appear to have motivated his return to Worcester in around 1695, and he died there in 1697-98. One early owner valued the cup sufficiently to inscribe his initials 'IB' on the rim; two other sets of initials are scratched faintly on the underside. Beyond these initials, nothing is known of the cup's early owners. It was bequeathed to the Museum in 1944 by W. J. Johnson as a sweetmeat dish, an identification perhaps suggested by the three eighteenth-century ball and claw feet added to the base at an unspecified date. These three feet were subsequently removed by the Museum, and the piece reattributed as a brandy taster in 1995-96. The maker's mark has been the source of some confusion. Originally described simply as 'R in a shaped estucheon', it was redescribed in the mid-1990s as 'PR in monogram over a cinquefoil'. Recent research (Davidson and Davidson: 2010) suggests it should be read as 'JR'. |
Bibliographic reference | Davidson, Simon, and Cathlyn Davidson. John and Samuel Richardson: seventeenth century goldsmiths, their marks and work. Silver Studies: the Journal of the Silver Society of the U.K. December 2010, vol. 26, pp.5-16. |
Collection | |
Accession number | M.1699-1944 |
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Record created | September 10, 2004 |
Record URL |
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