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Not currently on display at the V&A

Sugar Box

1683-1684 (made)
Artist/Maker
Place of origin

The decorative qualities of this silver sugar box reflect the preciousness of this sweet substance in 17th century Britain, as does the lockable clasp which would have kept the contents safe from theft by domestic servants. The surface of the box has been chased (the metal surface modelled with a hammer and steel tools) in a style known as ‘Chinoiserie’, which drew inspiration from illustrated travel books about Asia and the Middle East, and from painted decoration on Chinese porcelain and other imported works of art from Asia. The snake handle (a symbol of marital harmony) and pair of initials on the base of the box, suggest it may have been a marriage gift.
Sugar cane originated in Asia and was introduced to Europe by the Arabs and Berbers when they conquered the Iberian peninsula in the 8th century AD. It was later transplanted to the Spanish Canary Islands where it became the main product produced and traded. Its successful cultivation relied on the labour of enslaved Africans who were imported to work on the plantations. This agricultural model was reproduced on an larger scale in Britain’s West Indian colonies. The terrible conditions and high levels of mortality on sugar plantations prompted British abolitionists to call for a national boycott of West Indies-produced sugar. By 1808 Thomas Clarkson, the anti-slavery campaigner, was able to report that 250,000 people had 'left off Sugar and Rum'.


Object details

Categories
Object type
Materials and techniques
Silver, flat-chased, inscribed, embossed
Brief description
Silver sugar box with flat-chased 'Chinoiserie' designs and lockable clasp, London, 1683-4
Physical description
Oval casket with swelling convex sides, a slightly domed hinged lid and a hinged hasp centred at the front. The hasp, punctured with hearts and saw-pierced on either side, is attached to the turned-out rim of the lid and probably once fitted over a staple to fasten it, though no such device remains. Casket rests on four scroll feet and a handle in the form of an arched snake is positioned in the centre of the lid. Casket is decorated with flat-chasing in a 'Chinoiserie' style on the surface of its body and lid.
Dimensions
  • Feet to handle on lid height: 11.5cm
  • Maximum width across lid width: 20.5cm
  • Maximum across lid depth: 16.5cm
  • Weight: 624.9g
Marks and inscriptions
  • 'JR' in cypher with a pellet below, in a shaped shield - maker's mark of John Richardson Leopard's head, the town mark for London Date letter for 1683-4 Lion passant, the assay office mark for sterling-standard silver (The marks stamped on the underside of the base of the box, and in the centre of the lid.)
  • The initials M.M. over W.C. are pounced on the underside of the box.
Gallery label
  • Text written about this object for 'Uncomfortable Truths / Traces of the Trade' gallery trails (Trail 1: 'Consuming the Black Atlantic'), 20 February - 31 December 2007. Helen Mears & Janet Browne. 'SUGAR BOX / With the colonisation of the Americas, the Caribbean became the world's largest source of sugar. Two-thirds of all slaves captured in the 18th century were set to work on sugar plantations. Conditions were especially harsh, with dangerous machinery and several harvests a year, but slave labour, plus improved production and processing methods, enabled traders to reduce their costs. As prices fell, demand spiralled. By the late 1790s, the 'white gold' that had once been the delicacy of the aristocracy was part of the diet of the British poor. The rich decoration on this silver sugar box shows how precious sugar was when it first appeared in Britain, as does the hinged lock to prevent servants stealing the contents.'(20/02/2007)
  • 12. Sugar Box London 1683-4 Mark (?I) R perhaps Alexander Roode Flat chased with chinoiserie birds, flowers and foliage. Perhaps a marriage gift. The initials M.M. over W.C. are pounced underneath. The coiled snake was considered a symbol of harmony in marriage. Major A. J. and Mrs Carter Gift. M.419-1927(1995)
Credit line
Bequeathed by Mrs Aubrey Carter, widow of Maj. Carter
Object history
John Richardson, who made this piece, was among the most important goldsmiths in London in the late seventeenth century. Born in Worcester in the early 1640s, he was apprenticed to the prominent London goldsmith Henry Greenway and eventually took over his master's business when Greenway retired in 1670. Richardson enjoyed a successful career: the scale of his activity is reflected in the number of apprentices (four) attached to his workshop, and in the importance of the commissions entrusted to him. These included candlesticks, flagons, a basin and altar cruets for Westminster Abbey, marked for London 1684-85.
Personal matters appear to have motivated his return to Worcester in around 1695, and he died there in 1697-98.
Summary
The decorative qualities of this silver sugar box reflect the preciousness of this sweet substance in 17th century Britain, as does the lockable clasp which would have kept the contents safe from theft by domestic servants. The surface of the box has been chased (the metal surface modelled with a hammer and steel tools) in a style known as ‘Chinoiserie’, which drew inspiration from illustrated travel books about Asia and the Middle East, and from painted decoration on Chinese porcelain and other imported works of art from Asia. The snake handle (a symbol of marital harmony) and pair of initials on the base of the box, suggest it may have been a marriage gift.
Sugar cane originated in Asia and was introduced to Europe by the Arabs and Berbers when they conquered the Iberian peninsula in the 8th century AD. It was later transplanted to the Spanish Canary Islands where it became the main product produced and traded. Its successful cultivation relied on the labour of enslaved Africans who were imported to work on the plantations. This agricultural model was reproduced on an larger scale in Britain’s West Indian colonies. The terrible conditions and high levels of mortality on sugar plantations prompted British abolitionists to call for a national boycott of West Indies-produced sugar. By 1808 Thomas Clarkson, the anti-slavery campaigner, was able to report that 250,000 people had 'left off Sugar and Rum'.
Bibliographic references
  • Oman, Charles. Caroline Silver 1625-1688. London: Faber and Faber, 1970. ISBN 0571094422
  • Davidson, Simon, and Cathlyn Davidson. John and Samuel Richardson: seventeenth century goldsmiths, their marks and work. Silver Studies: the Journal of the Silver Society of the U.K. December 2010, vol. 26, pp.5-16.
Collection
Accession number
M.419-1927

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Record createdSeptember 10, 2004
Record URL
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