Teapot thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Silver, Room 65, The Whiteley Galleries

Teapot

1718-1719 (made)
Artist/Maker
Place of origin

The octagonal design of this teapot was popular in the early eighteenth century. It is a simple geometric design that relies on clarity of form rather than surface detail or embellishment, and is an example of what has become known as Queen Anne style.

The teapot is marked on the base and the lid with Britannia Standard hallmarks: the figure of Britannia and a lion's head 'erased' (which means it appears as though it has been torn off the lion's body). This means the teapot is of a purer standard of silver than that used at the time for coinage. The Britannia standard was introduced in 1697 to combat the dwindling stock of silver coinage in circulation, as until then large numbers of coins were disappearing from circulation to be refashioned as silverwares. The Britannia standard and its marks were used exclusively until 1st June 1720, when the old standard was restored. Henceforth both standards have been used concurrently.

Thomas Tearle, the goldsmith whose mark appears twice on this teapot, had only recently completed his apprenticeship when he made the piece: he had registered his first mark in the Goldsmiths' Hall registers on 19 February 1719. His newness to the trade my explain why his mark is overstruck on the base by that of the established goldsmith Jonathan Lambe. Lambe, who had completed his apprenticeship in 1697, was perhaps acting as a retailer rather than a maker in this instance and felt it appropriate to overstrike the younger maker's mark.

Tea first made its way to Britain from China in the seventeenth century and was thought to have medicinal qualities. By the early eighteenth century, though, it was an established and popular drink amongst the upper classes. The first teapots made were in the tall cylindrical form of coffee pots. Soon, however, the more rounded, squat shape that we are still familiar with today took over, which was influenced by Chinese wine-pots. Despite taxation, possesion of silver objects remained desirable to the upper classes because it was a useful way of holding capital and of displaying status and wealth. The quality of your teapot said as much about you as the quality of the tea you were serving inside it.


Object details

Categories
Object type
Materials and techniques
Silver
Brief description
Silver, wooden handle, London hallmarks for 1718-19, mark of Thomas Tearle
Physical description
Silver teapot, with domed octagonal cover hinged at the back and surmounted by a moulded knop.Teapot of octagonal design with replacement wooden handle.
Dimensions
  • Weight: 493.1g
  • Maximum height (includes knop on lid) height: 16.5cm
  • Width: 9cm
Width given here is maximum for octagonal base
Marks and inscriptions
  • Lion's head erased (to denote Britannia standard silver) (On rim of lid and on base)
  • Maker's mark for Thomas Tearle (letters T E, a four-petalled flower beneath; a ?wheatsheaf above, enclosed in a lozenge-shaped punch). (See Grimwade, London Goldsmiths, no. 2740 for Tearle's mark. In the example available to Grimwade, the upper device was indistinct and he suggests it may be a mullet. Tearle's mark appears on the rim of the lid and on the base. The mark on the base is overstruck with the mark of Jonathan Lambe. Despite this, the upper device on Tearle's mark is clearly visible, and is sheaf- rather than star-shaped. Tearle's mark on the rim is worn.)
  • Maker's mark for Jonathan Lambe, the letters 'L A' in a rectangle. (Mark struck over Thomas Tearle's lozenge-shaped mark on the base of the teapot. For Lambe's mark, see Grimwade, London Goldsmiths, no.1889.)
  • Britannia standard mark. (On the base of the teapot.)
  • Date letter 'C' in a shield-shaped punch, for the year 1718- 1719.
Credit line
Given by Mr. and Mrs. W.W. Simpson through Art Fund support
Object history
Given by Mr and Mrs W.W Simpson through the NACF
Acquisition RF: 14 / 2891
Summary
The octagonal design of this teapot was popular in the early eighteenth century. It is a simple geometric design that relies on clarity of form rather than surface detail or embellishment, and is an example of what has become known as Queen Anne style.

The teapot is marked on the base and the lid with Britannia Standard hallmarks: the figure of Britannia and a lion's head 'erased' (which means it appears as though it has been torn off the lion's body). This means the teapot is of a purer standard of silver than that used at the time for coinage. The Britannia standard was introduced in 1697 to combat the dwindling stock of silver coinage in circulation, as until then large numbers of coins were disappearing from circulation to be refashioned as silverwares. The Britannia standard and its marks were used exclusively until 1st June 1720, when the old standard was restored. Henceforth both standards have been used concurrently.

Thomas Tearle, the goldsmith whose mark appears twice on this teapot, had only recently completed his apprenticeship when he made the piece: he had registered his first mark in the Goldsmiths' Hall registers on 19 February 1719. His newness to the trade my explain why his mark is overstruck on the base by that of the established goldsmith Jonathan Lambe. Lambe, who had completed his apprenticeship in 1697, was perhaps acting as a retailer rather than a maker in this instance and felt it appropriate to overstrike the younger maker's mark.

Tea first made its way to Britain from China in the seventeenth century and was thought to have medicinal qualities. By the early eighteenth century, though, it was an established and popular drink amongst the upper classes. The first teapots made were in the tall cylindrical form of coffee pots. Soon, however, the more rounded, squat shape that we are still familiar with today took over, which was influenced by Chinese wine-pots. Despite taxation, possesion of silver objects remained desirable to the upper classes because it was a useful way of holding capital and of displaying status and wealth. The quality of your teapot said as much about you as the quality of the tea you were serving inside it.
Bibliographic references
  • Grimwade, Arthur G. London Goldsmiths 1697-1837. Their Marks and Lives. London: Faber and Faber, 1976.
  • Pickford, Ian, ed. Jackson's Silver & Gold Marks of England, Scotland & Ireland. 3rd edition of Sir Charles Jackson, "English Goldsmiths and their Marks". London: Antique Collectors' Club, 1989. ISBN 0907462634
Collection
Accession number
M.166-1914

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Record createdSeptember 10, 2004
Record URL
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