Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case GG, Shelf 85

Fashion Plate

1911 (published)
Artist/Maker
Place of origin

Three ladies dressed in two fur- trimmed capes and a layered sheath dress.

Delve deeper

Discover more about this object
read 'King of Fashion' by Paul Poiret Designer Paul Poiret (1879 – 1944) led the fashion world in the first decade of the 20th century. This extract from his 1931 autobiography, 'King of Fashion', tells of his meteoric rise to fame, designing dresses for the esteemed Parisian couturier, House of Worth.

Object details

Category
Object type
Materials and techniques
Letterpress, line block and pochoir
Brief description
Print by Georges Lepape from Les choses de Paul Poiret vues par Georges Lepape Paris (France), 1911 (limited edition number 261).
Physical description
Three ladies dressed in two fur- trimmed capes and a layered sheath dress.
Marks and inscriptions
Georges Lepape (signed on plate, lower left corner)
Object history
Paul Poiret was one of the most influential and notorious fashion designers of the late 1900s/early 1910s. His gowns followed the natural line of a slim, uncorseted body, which is clearly shown in Lepape's illustration, although many women still had to resort to longline corsets to achieve the same effect. Compared to the elaborately detailed and constructed gowns that many fashion designers produced, Poiret's designs were audaciously simple and bold, and sometimes quite far-sighted. For example, his 'robe de minute', a gown made of two rectangles of fabric, was created in 1911, 10 years before near-identically constructed chemise dresses became widespread (see T.118-1975). Lepape's illustration shows the model's heads simply wrapped in turbans, in contrast to the elaborately arranged coiffures that many fashionable women favoured. Decoration is minimal, with the pink dress decorated with linear rows of embroidery or beading round the sleeves and mid-way down the skirt, and the blue dress made from two different fabrics and edged with black fur on the hem and sleeve ends. Poiret often used fur as an edging or design accent.

Poiret's success was short-lived, as his influence did not last beyond the 1910s. Although he continued designing into the 1920s and created gowns for Liberty's in 1933, he failed to recapture the success and notoriety he had enjoyed in the 1910s.

- Daniel Milford-Cottam, January 2012
Subjects depicted
Bibliographic reference
Taken from Departmental Circulation Registers: 1976-1977
Collection
Accession number
CIRC.263-1976

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 30, 2009
Record URL
Download as: JSON