Figure
1551 (made)
Artist/Maker | |
Place of origin |
This silver figure shows Christ after he rose from the tomb. He is clad in the loincloth in which he was crucified and holding a banner. The banner or flag of the Resurrection, generally shown as a white flag with a red cross, is the Christian symbol of victory over death. The resurrection of Christ is one of the most important tenets of the Christian faith and frequently depicted in art.
Object details
Categories | |
Object type | |
Materials and techniques | Cast and chased silver, parcel-gilt |
Brief description | Figure of Christ, silver, made in Italy, sixteenth century. |
Physical description | Figure of Christ cast in silver, parcel-gilt with a cloak over his shoulder, right hand raised in blessing, left hand holding cross staff to which is attached a sheet-metal banner inscribed INRI 1551. The figure stands on a grassy mound, this rests upon an incurved band with three sphinxes. The spreading foot is chased with conventional foliage and set with three medallions of the Agnus Dei, Crucifix and Vernicle. |
Dimensions |
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Marks and inscriptions | (Unidentified mark on rim: E and perhaps a shield) |
Gallery label | Figure of the Risen Christ
The Gospels describe how, after three days in the tomb, Christ rose again from death.
This silver figure shows him clad in the loincloth in which he was crucified. He raises one hand in blessing while holding the red and white banner of the Resurrection, the sign of his victory over death, in his other hand. The Resurrection of Christ is one of the most important beliefs in the Christian faith and it is frequently depicted in art.
Northern Italy; dated 1551
Silver
Museum no. M.37-1951. Hildburgh Gift(22/11/2005) |
Credit line | Given by Dr W.L. Hildburgh |
Historical context | Saints and Symbols Like most religions, Christianity has a rich language of images and symbols. This iconography would have been clearly understood in the past but it may be less familiar to modern eyes. Though often decorative, the symbols used on religious metalwork also refer to the function and significance of the objects. The contemplation of religious motifs can draw believers into a deeper understanding of their faith. Complex theological themes can be represented in a visual form. A chalice, for example, might be adorned with the tools used in the Crucifixion (the 'Instruments of the Passion') to direct the viewer's mind towards Christ's sacrifice and his death on the cross. The use of images has caused controversy throughout Christian history. While supporters held that imagery glorified God and helped believers understand their faith better, critics attacked its use as superstition and idolatry. Saints Christians venerate saints as men and women who, through the holiness of their lives, became especially close to God. The saints include martyrs who suffered and died for their faith as well as great teachers and preachers. Their lives provide an example and inspiration for the faithful. Roman Catholics also believe that saints can intercede on their behalf with God. In Christian iconography, saints are usually depicted with a distinctive object or 'attribute' associated with their martyrdom or works. For example, St Bartholomew, who was skinned alive, holds a flaying knife, and St George is shown with a dragon. |
Production | Probably made in Northern Italy. |
Subject depicted | |
Summary | This silver figure shows Christ after he rose from the tomb. He is clad in the loincloth in which he was crucified and holding a banner. The banner or flag of the Resurrection, generally shown as a white flag with a red cross, is the Christian symbol of victory over death. The resurrection of Christ is one of the most important tenets of the Christian faith and frequently depicted in art. |
Collection | |
Accession number | M.37-1951 |
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Record created | September 10, 2004 |
Record URL |
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