The Traghetto
Print
1880 (published)
1880 (published)
| Artist/Maker | |
| Place of origin |
In 1879 Whistler was commissioned by the Fine Art Society to make a set of etchings of Venice. This is a printmaking technique in which acid is used to bite lines in a metal plate. These lines are next filled with ink, which is then printed on to paper.
Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media.
Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media.
Object details
| Category | |
| Object type | |
| Titles |
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| Materials and techniques | Etching and drypoint on paper |
| Brief description | 'The Traghetto (No.2)', etching and drypoint by James McNeill Whistler, 1880, from Venice, a Series of Twelve Etchings, published by the Fine Art Society, London, 1880. Signed. |
| Physical description | Etching and drypoint by James McNeill Whistler, 'The Traghetto (No.2)', 1880. From 'Venice, a Series of Twelve Etchings', published by the Fine Art Society, London, 1880. Also known as 'The First Venice Set'. Signed in pencil. |
| Dimensions |
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| Marks and inscriptions | (Signed in pencil) |
| Credit line | Acquired from The University of Glasgow Art Collections, The Hunterian Museum, University of Glasgow in 1968 |
| Object history | From Venice, a Series of Twelve Etchings, published by the Fine Art Society, London, 1880. Also known as 'The First Venice Set'. This is an impression from the cancelled plate. W.156; K.191, 6th state. |
| Place depicted | |
| Summary | In 1879 Whistler was commissioned by the Fine Art Society to make a set of etchings of Venice. This is a printmaking technique in which acid is used to bite lines in a metal plate. These lines are next filled with ink, which is then printed on to paper. Whistler was one of the first artists to put his pencilled signature to a print. This practice grew up during the second half of the 19th century in order to identify works printed from surfaces made by the artist him- or herself, as opposed to reproductions of works originally created in other media. |
| Associated objects | |
| Bibliographic references |
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| Collection | |
| Accession number | CIRC.639-1968 |
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| Record created | June 30, 2009 |
| Record URL |
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