St Sebastian
Statuette
ca. 1700 (made)
ca. 1700 (made)
Artist/Maker | |
Place of origin |
This statuette in boxwood, representing Saint Sebastian tied to a tree, is made in the province of Valencia in Spain, in ca. 1700-1720.
This figure is unusual in its moderate use of polychromy. The skin colour appears to be a wash surface on the wood, rather than painted, while the lack of paint on the hair means that the fine carving is clearly visible.
This figure is unusual in its moderate use of polychromy. The skin colour appears to be a wash surface on the wood, rather than painted, while the lack of paint on the hair means that the fine carving is clearly visible.
Object details
Categories | |
Object type | |
Title | St Sebastian (generic title) |
Materials and techniques | Carved boxwood, polychrome |
Brief description | Statuette, carved boxwood partly painted, of St. Sebastian, Spain (Valencia), ca.1700-20 |
Physical description | Carved boxwood statuette of St. Sebastian. The saint stands tied to a tree. His right arm is tied to the right above his shoulder. His left hand is tied away from the body at the hip. Weight is shifted to the right leg. The left leg is bound behind him. The head is upturned to the right, with eyes cast upward. A white loincloth is knotted at the hip. The figure and tree stand on a blue base, probably not of boxwood. The holes in the torso and legs were probably once fitted with arrows. The paint is badly chipped in several places. |
Dimensions |
|
Object history | Purchased for £4 by John Charles Robinson in 1863 from Don José Calcerrada (Madrid). Historical significance: This figure is unusual in its moderate use of polychromy. The skin colour appears to be a wash surface on the wood, rather than painted, while the lack of paint on the hair means that the fine carving is clearly visible. |
Subjects depicted | |
Summary | This statuette in boxwood, representing Saint Sebastian tied to a tree, is made in the province of Valencia in Spain, in ca. 1700-1720. This figure is unusual in its moderate use of polychromy. The skin colour appears to be a wash surface on the wood, rather than painted, while the lack of paint on the hair means that the fine carving is clearly visible. |
Bibliographic references |
|
Collection | |
Accession number | 90-1864 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | September 6, 2004 |
Record URL |
Download as: JSONIIIF Manifest