Image of Gallery in South Kensington
On display at V&A South Kensington
Sacred Silver & Stained Glass, Room 83, The Whiteley Galleries

Figure

18th century (made)
Artist/Maker
Place of origin

St Bartholomew was one of Jesus's twelve disciples. Very little is known of his life but he is believed to have been martyred by flaying by the brother of Polymius, King of Armenia for having converted him to Christianity. For this reason, he is depicted holding his own flayed skin.
This silver statuette may originally have come from a larger object, now lost.


Object details

Categories
Object type
Materials and techniques
Parcel-gilt silver
Brief description
Figure of St Bartholomew, silver parcel-gilt. Germany, eighteenth century.
Physical description
Seated figure of St Bartholomew holding his flayed skin over his shoulder.
Dimensions
  • Height: 13cm
  • Width: 5cm
  • Length: 7cm
Marks and inscriptions
(Unmarked)
Gallery label
St Bartholomew Holding his Flayed Skin St Bartholomew was one of the twelve Apostles, Jesus's closest associates. Very little is known of his life but he is believed to have died in Armenia, by being flayed alive for his role in converting the king's brother to Christianity. For this reason, he is depicted holding his own flayed skin. This silver statuette may originally have come from a larger object, now lost. Germany, 1700-30. Silver, partly gilded Museum no. M.44-1951. Hildburgh Gift(22/11/2005)
Credit line
Given by Dr W.L. Hildburgh
Historical context
Saints and Symbols
Like most religions, Christianity has a rich language of images and symbols. This iconography would have been clearly understood in the past but it may be less familiar to modern eyes.

Though often decorative, the symbols used on religious metalwork also refer to the function and significance of the objects. The contemplation of religious motifs can draw believers into a deeper understanding of their faith. Complex theological themes can be represented in a visual form. A chalice, for example, might be adorned with the tools used in the Crucifixion (the 'Instruments of the Passion') to direct the viewer's mind towards Christ's sacrifice and his death on the cross.

The use of images has caused controversy throughout Christian history. While supporters held that imagery glorified God and helped believers understand their faith better, critics attacked its use as superstition and idolatry.

Saints
Christians venerate saints as men and women who, through the holiness of their lives, became especially close to God. The saints include martyrs who suffered and died for their faith as well as great teachers and preachers. Their lives provide an example and inspiration for the faithful. Roman Catholics also believe that saints can intercede on their behalf with God. In Christian iconography, saints are usually depicted with a distinctive object or 'attribute' associated with their martyrdom or works. For example, St Bartholomew, who was skinned alive, holds a flaying knife, and St George is shown with a dragon.
Subject depicted
Summary
St Bartholomew was one of Jesus's twelve disciples. Very little is known of his life but he is believed to have been martyred by flaying by the brother of Polymius, King of Armenia for having converted him to Christianity. For this reason, he is depicted holding his own flayed skin.
This silver statuette may originally have come from a larger object, now lost.
Collection
Accession number
M.44-1951

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdSeptember 6, 2004
Record URL
Download as: JSONIIIF Manifest