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Image of Gallery in South Kensington
On display at V&A South Kensington
Sacred Silver & Stained Glass, Room 83, The Whiteley Galleries

Figure

ca. 1530 (made)
Artist/Maker
Place of origin

This small figure may be one of the few remaining fragments of the custodia of Cuenca Cathedral in Spain. The custodia was a very large silver object used for religious processions such as the annual Corpus Christi ('body of Christ') parade. The Cuenca custodia was broken up when the cathedral was looted by French soldiers in 1808.

According to legend, St Christopher showed his devotion to God by carrying travellers across a river. One day, he carried a child across the raging stream. Gradually the child grew heavier and heavier until Christopher felt as if he were carrying the whole weight of the world. When they arrived on the bank, the child revealed himself as Christ. In 1969, St Christopher was removed from the Catholic calendar of saints because of doubts as to his historical authenticity.


Object details

Categories
Object type
Materials and techniques
Silver, raised and parcel-gilt
Brief description
Figure of St Christopher, silver parcel-gilt. Spain, around 1530.
Physical description
Figure of St Christopher leaning upon a staff and carrying the infant Christ on his left shoulder.
Dimensions
  • Height: 10.00cm
  • Width: 5cm
  • Depth: 4cm
Marks and inscriptions
(Unmarked)
Gallery label
St Christopher Carrying the Infant Christ This small figure may be one of the few remaining fragments of the custodia of Cuenca Cathedral in Spain. The custodia was a very large silver object used for religious processions such as the annual Corpus Christi ('Body of Christ') parade. The Cuenca custodia was broken up when the cathedral was looted by French soldiers in 1808. According to legend, St Christopher showed his devotion to God by carrying travellers across a river. One day, he carried a child across the raging stream. Gradually the child grew heavier and heavier until Christopher felt as if he were carrying the whole weight of the world. When they arrived on the bank, the child revealed himself as Christ. In 1969, St Christopher was removed from the Roman Catholic calendar of saints because of doubts as to his historical authenticity. Spain, about 1530. Silver, partly gilded Museum no. 178-1864(22/11/2005)
Object history
This figure is probably from the custodia of Cuenca Cathedral which was looted and broken up by French soldiers in 1808.
Purchased at Saragossa by J.C. Robinson.
Historical context
Saints and Symbols
Like most religions, Christianity has a rich language of images and symbols. This iconography would have been clearly understood in the past but it may be less familiar to modern eyes.

Though often decorative, the symbols used on religious metalwork also refer to the function and significance of the objects. The contemplation of religious motifs can draw believers into a deeper understanding of their faith. Complex theological themes can be represented in a visual form. A chalice, for example, might be adorned with the tools used in the Crucifixion (the ‘Instruments of the Passion’) to direct the viewer’s mind towards Christ’s sacrifice and his death on the cross.

The use of images has caused controversy throughout Christian history. While supporters held that imagery glorified God and helped believers understand their faith better, critics attacked its use as superstition and idolatry.

Saints
Christians venerate saints as men and women who, through the holiness of their lives, became especially close to God. The saints include martyrs who suffered and died for their faith as well as great teachers and preachers. Their lives provide an example and inspiration for the faithful. Roman Catholics also believe that saints can intercede on their behalf with God. In Christian iconography, saints are usually depicted with a distinctive object or ‘attribute’ associated with their martyrdom or works. For example, St Bartholomew, who was skinned alive, holds a flaying knife, and St George is shown with a dragon.
Subject depicted
Summary
This small figure may be one of the few remaining fragments of the custodia of Cuenca Cathedral in Spain. The custodia was a very large silver object used for religious processions such as the annual Corpus Christi ('body of Christ') parade. The Cuenca custodia was broken up when the cathedral was looted by French soldiers in 1808.

According to legend, St Christopher showed his devotion to God by carrying travellers across a river. One day, he carried a child across the raging stream. Gradually the child grew heavier and heavier until Christopher felt as if he were carrying the whole weight of the world. When they arrived on the bank, the child revealed himself as Christ. In 1969, St Christopher was removed from the Catholic calendar of saints because of doubts as to his historical authenticity.
Associated object
179-1864 (Set)
Bibliographic references
  • The Golden Age of Hispanic Silver: 1400-1665, Charles Oman, HMSO 1968.
  • Pérez Ramírez, Dimas. La Custodia de la Catedral de Cuenca. Cuenca: Gaceta Conquense, 1985.
Collection
Accession number
178-1864

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Record createdAugust 31, 2004
Record URL
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