Not currently on display at the V&A

Right Leg Écorgé

Wax Model
late 16th century (made)
Artist/Maker
Place of origin

This wax sketch model of a right leg écorgé is an anatomical study and was formerly ascribed to Michelangelo. It appeared to be a study for the leg of the marble statue of David (1501-3) in the Accademia at Florence.

Price Amerson Jr. attributes it to Cigoli or after Cigoli.

This model and the related 4 museum numbers have been extensively discussed in the literature of Michelangelo.

The French word écorché literally means flayed or skinned. It has been adopted almost universally by scholars when speaking of a human figure stripped of its skin and thus displaying the superficial layers of muscles. Sculpted models or statuettes in which the muscles of the body are revealed (or écorchés) first appeared in sixteenth century Europe, and in Italy primarily.


Object details

Category
Object type
TitleRight Leg Écorgé (generic title)
Materials and techniques
Reddish wax kneaded with tow
Brief description
Red wax model of a right leg ecorche, an anatomical study, possibly by or after Cigoli, Italy (Florence), 16th century
Physical description
Red wax model of a right leg écorché, an anatomical study, including part of the hip and groin. The large toe is broken off and the calf damaged
Dimensions
  • Length: 11in
Object history
Formerly in the Gherardini Collection of artists’ terracotta and wax models Acquired in 1854
Production
Formerly ascribed to Michelangelo
Subjects depicted
Summary
This wax sketch model of a right leg écorgé is an anatomical study and was formerly ascribed to Michelangelo. It appeared to be a study for the leg of the marble statue of David (1501-3) in the Accademia at Florence.

Price Amerson Jr. attributes it to Cigoli or after Cigoli.

This model and the related 4 museum numbers have been extensively discussed in the literature of Michelangelo.

The French word écorché literally means flayed or skinned. It has been adopted almost universally by scholars when speaking of a human figure stripped of its skin and thus displaying the superficial layers of muscles. Sculpted models or statuettes in which the muscles of the body are revealed (or écorchés) first appeared in sixteenth century Europe, and in Italy primarily.
Associated objects
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1854. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 18.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 128.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 432.
  • Amerson Price, L., Jr. The Problem of the Ecorge: A Catalogue Raisonne of Models and Statuettes from the Sixteenth Century and Later Periods, Phd thesis, Pennsylvania State University, 1975, pp. 173-4, fig. 143, n.59
Collection
Accession number
4110-1854

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Record createdAugust 24, 2004
Record URL
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