Not currently on display at the V&A

A Right Arm Écorgé

Wax Model
ca. 1550 (made)
Artist/Maker
Place of origin

This model in wax of a right arm écorgé is an anatomical study by an unknown artist made in Florence ca 1550.

It was formerly ascribed to Michelangelo and appears to be a study for the pendent arm of the marble statue of David (1501-3) in the Accademia at Florence.

This model and the related 4 museum numbers have been extensively discussed in the literature of Michelangelo.

The French word écorché literally means flayed or skinned. It has been adopted almost universally by scholars when speaking of a human figure stripped of its skin and thus displaying the superficial layers of muscles. Sculpted models or statuettes in which the muscles of the body are revealed (or écorchés) first appeared in sixteenth century Europe, and in Italy primarily.


Object details

Category
Object type
TitleA Right Arm Écorgé (generic title)
Materials and techniques
Red wax
Brief description
Red wax model of a right arm ecorche, an anatomical study, Italy (Florence) about 1550
Physical description
Red wax model of a right arm écorché, an anatomical study, including part of the shoulder. Part of the thumb and the fingers are broken off. Model shows a right arm hanging downwards with the hand inwards and palm upturned.
Dimensions
  • Length: 25.7cm
Object history
Formerly in the Gherardini Collection of artists’ terracotta and wax models Acquired in 1854
Production
Formerly ascribed to Michelangelo. This model and the related 4 museum numbers have been extensively discussed in the literature of Michelangelo.
Subjects depicted
Summary
This model in wax of a right arm écorgé is an anatomical study by an unknown artist made in Florence ca 1550.

It was formerly ascribed to Michelangelo and appears to be a study for the pendent arm of the marble statue of David (1501-3) in the Accademia at Florence.

This model and the related 4 museum numbers have been extensively discussed in the literature of Michelangelo.

The French word écorché literally means flayed or skinned. It has been adopted almost universally by scholars when speaking of a human figure stripped of its skin and thus displaying the superficial layers of muscles. Sculpted models or statuettes in which the muscles of the body are revealed (or écorchés) first appeared in sixteenth century Europe, and in Italy primarily.
Associated objects
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1854. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 18.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 127.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 430.
  • Pope-Hennessy, John. Yearbook II, 1970, pp. 15-16
Collection
Accession number
4109-1854

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Record createdAugust 24, 2004
Record URL
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