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British aircraft regains worlds long distance non-stop record

Design
07/1934 (made)
Artist/Maker
Place of origin

This design shows the typography for the words 'British aircraft regains worlds long distance non-stop record. L.G. Reid and J.R.Ayling in a De Havilland Dragon Moth Gipsy Major Engine'. It was one of the designs for the advertising campaign of Shell Mex and British Petroleum (B.P.) Ltd. for AeroShell by Edward McKnight Kauffer in 1932-34. Kauffer used a contemporary event in the design to advertise Shell's lubricating oil. What took place regained a world record: two Canadians James Ayling and Leonard Reid attempted to beat the the long distance flying record of 5667 miles. Their destination, Baghdad, was 6300 miles away. They took off in August 1934. The flight had to be foreshortened at London, England, nevertheless they regained the record in the British aircraft.

Kauffer is widely recognised as a leading innovator in graphic design in 1930s Britain, and many consider him to have been the greatest poster designer of the first half of the 20th century. He was employed by Shell Mex and B.P. Ltd., which was arguably the most progressive British company in terms of its marketing profile in this period, and helped the company project an image associated with Modernism, technical advances and modern life-styles.


Object details

Categories
Object type
Titles
  • British aircraft regains worlds long distance non-stop record (assigned by artist)
  • on ordinary grades of Shell petrol [avaition] shell lubricating oil aeroshell (assigned by artist)
  • another spectacular proof of the superiority of lubrication & petrol by Shell order the same for yourself (assigned by artist)
Materials and techniques
Pencil and bodycolour on card with a tracing -paper overthrow.
Brief description
Design drawing by Edward McKnight Kauffer for Shell-Mex BP, 1934
Physical description
Design on card featuring a black outline shaped like a chemistry test-tube with a bulb at its end from which protrudes a diagonal tiube. Within the bulb is a black globe with a straight line connecting England with America. There is typography along the test-tube shape and beneath the design. There was originally a tracing paper overthrow that has become detached.
Dimensions
  • Height: 38.2cm
  • Width: 27.3cm
Style
Marks and inscriptions
  • 'L.G.REED [The 'E' is crossed out and an 'i' is superimposed above it] AND W.Z. [crossed out and letters 'JR' added in pencil] AYLING IN A / DE HAVILLAND DRAGON MOTH / SEPOY [crossed out and the word 'GYPSY' added in pencil] MAJOR ENGINE'
  • 'ARTIST E.Mc K.Kauffer / PRODUCT / DATE 7/34 / SEEN BY M.T.[illegible inscription] / JOB Nos. Q / RACK No. USED / SHELL MEX and B.P. Ltd.'
Object history
This design along with other designs for Shell Mex and B.P. Ltd. were until recently part of the Shell-BP Archive housed in Warwick University. Following a programme of digitisation, they were considered redundant and sold at auction. This coherent group of design was assembled by Hilary Gerrish and Neil Jennings from a variety of muscellaneous lots.

One highlight of this collection is the Shell or Mechanical Man, which featured in many Shell-BP advertisements, is one of the UK's most famost 'brand' characters. Other highlights include three finished brilliantly coloured gouache drawings for petrol pump designs, unused, one of which was illustrated in the seminal book on Kauffer by Mark Haworth-Booth (E. McKnight Kauffer: A Designer and His Public, 1979, p.74). A letter and design work relate to the important Shell Graphic Design Agency set up in 1932; there are also a number of workings-out, with alternative versions, for campaigns including the Aero-Shell and TEL (tetra-ethyl lead, an anti-knock fuel). The design drawings themselves demonstrate a wide range of innovative techniques including photomontage, collage and airbrush.

Historical significance: Edward McKnight Kauffer was a leading exponent of the Modern style. He is widely recognised as a cutting-edge shaper of graphic design in 1930s Britain, and many consider him to have been the greatest poster designer of the first half of the 20th century.

Although V&A's existing holdings of Kauffer's work include designs and posters, they are almost exclusively finished presentation drawings. This design along with other designs for Shell Mex and B.P. Ltd. show much more vividly the working out of ideas and the thinking that underpins the design process itself and therefore allow V&A to demonstrate effectively and completely the design practice of this important and influential designer.
Historical context
Shell Mex and B.P. Ltd., which was formed in 1932, was arguably the most progressive British company in terms of its marketing profile in this period. Under the inspired patronage of its advertising manager Jack Beddington (1893-1959), who in 1929 first employed Edward McKnight Kauffer, a number of talented avant-garde artists were commissioned to help the company project an image associated with Modernism, technical advances and modern life-styles.
Subjects depicted
Summary
This design shows the typography for the words 'British aircraft regains worlds long distance non-stop record. L.G. Reid and J.R.Ayling in a De Havilland Dragon Moth Gipsy Major Engine'. It was one of the designs for the advertising campaign of Shell Mex and British Petroleum (B.P.) Ltd. for AeroShell by Edward McKnight Kauffer in 1932-34. Kauffer used a contemporary event in the design to advertise Shell's lubricating oil. What took place regained a world record: two Canadians James Ayling and Leonard Reid attempted to beat the the long distance flying record of 5667 miles. Their destination, Baghdad, was 6300 miles away. They took off in August 1934. The flight had to be foreshortened at London, England, nevertheless they regained the record in the British aircraft.

Kauffer is widely recognised as a leading innovator in graphic design in 1930s Britain, and many consider him to have been the greatest poster designer of the first half of the 20th century. He was employed by Shell Mex and B.P. Ltd., which was arguably the most progressive British company in terms of its marketing profile in this period, and helped the company project an image associated with Modernism, technical advances and modern life-styles.
Bibliographic references
  • Haworth-Booth, Mark. E. McKnight Kauffer: A designer and his public. London: Gordon Fraser, 1979.
  • Haworth-Booth, Mark. E.McKnight Kauffer: a designer and his public. London: V&A Publications, 2005.
Collection
Accession number
E.3769-2004

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Record createdJune 30, 2009
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