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Historiated initial from a Gradual for the Camaldolese monastery of San Michele a Murano

Manuscript Cutting
1392 -1399 (made)
Artist/Maker
Place of origin

Historiated initial L with Adoration of the Shepherds, in a cave.
Text: L [ux fulgebit hodie]; on verso [cuius] regni non e/[rit finis. Ps.] Dominus /regnavit, Introit to the Mass for Christmas morning
Staves of 4 red lines, 37 mm; square notation.

Object details

Categories
Object type
TitleHistoriated initial from a Gradual for the Camaldolese monastery of San Michele a Murano
Materials and techniques
Water-based pigment, gold leaf and ink on parchment
Brief description
Historiated initial L with the Adoration of the Shepherds, from a Gradual for the Camaldolese monastery of San Michele a Murano, Italy (Florence), 1392-1399.
Physical description
Historiated initial L with Adoration of the Shepherds, in a cave.
Text: L [ux fulgebit hodie]; on verso [cuius] regni non e/[rit finis. Ps.] Dominus /regnavit, Introit to the Mass for Christmas morning
Staves of 4 red lines, 37 mm; square notation.
Dimensions
  • Height: 305mm
  • Width: 125mm
  • Initial height: 160mm
  • Initial width: 125mm
  • Height: 37mm
Production typeUnique
Gallery label
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A, 08/09/2021 - 26/06/2022, rooms 88A-90



Don Silvestro dei Gherarducci (1339–99): Monk and Miniaturist

The Camaldolese monastery of Santa Maria degli
Angeli in Florence was renowned for its high-quality
book production in the 14th and 15th centuries. One
of its greatest illuminators was Don Silvestro dei
Gherarducci, whose talent was so celebrated that,
after his death, his community preserved his right
hand in a shrine. These cuttings come from two
choirbooks he and fellow monks made for the sister
monastery of San Michele in Murano, Venice.



Initials ‘S’, ‘L’ and ‘U’ with Pentecost, Adoration of the Shepherds and
Prophet, from graduals for the monastery of San Michele in Murano

Attributed to Silvestro dei Gherarducci and the Maestro delle Canzoni

Florence, Italy, 1392–99

Ink, gold, watercolour and bodycolour on parchment

Museum nos. 3045, D.229-1906, D.226-1906
Object history
Made in Florence at the convent of Santa Maria degli Angeli, for San Michele a Murano in Venice. Purchased on 22 June 1906 from Bernard Quaritch, together with twelve other cuttings from the same group of manuscripts (D.217 to 229-1906).
A duplicate number MS.967 was assigned to this object in error and was subsequently cancelled.

Seven fragments, whose date and place of acquisition are unknown, arrived at the South Kensington Museum by an early date; four (2868, 3045, 3074 and 3087) appear in a register recording the internal transfer from the Art Museum to the Library on 6 December 1863 of a group of 241 illuminations, and a further three are recorded in a similar transfer in 1874 (431, 432 and 434). The remaining thirteen cuttings (D.217 to 229-1906) were acquired on 22 June 1906 from Bernard Quaritch for a total cost of £60. Two of them depicting prophets were lost during the Second World War (D.220-1906 and D.223-1906).

Cuttings from the same set of graduals in the V&A collection: 431, 432, 434, 2868, 3045, 3074, 3087, D.217-1906, D.218-1906, D.219-1906, D.221-1906, D.222-1906, D.224-1906, D.225-1906, D.226-1906, D.227-1906, D.228-1906, D.229-1906.

This piece is part of a series of over fifty identified cuttings from two different graduals now distributed through various collections. Related cuttings are in: New York, Pierpont Morgan Library; Stockholm, National Museum; Berlin, Kupferstichkabinett; Paris, Musée Marmottan; Padua, Museo Civico; London, The British Library.
Production
Made at the convent of Santa Maria degli Angeli, Florence.
Bibliographic references
  • Catalogue of illuminated manuscripts : Part II, Miniatures, leaves, and cuttings, by S.C. Cockerell and E.F. Strange (London: HMSO, 1908, 1st edition). p. 85.
  • Catalogue of Miniatures, Leaves, and Cuttings from Illuminated Manuscripts. Victoria and Albert Museum. Department of Engraving, Illustration and Design, by S.C. Cockerell and C. Harcourt Smith (London: HMSO, 1923, 2nd edition). pp. 77-78 (as Siena, 15th century).
  • George R. Bent, 'The Scriptorium at S. Maria degli Angeli and Fourteenth Century Manuscript Illumination: Don Silvestro dei Gherarducci, Don Lorenzo Monaco, and Giovanni del Biondo', in Zeitschrift für Kunstgeschichte 55. Bd., H. 4 (1992), pp. 507-523.
  • Mirella Levi d'Ancona, The reconstructed "Diurno Domenicale" from Santa Maria degli Angeli, Florence: Centro Di, 1993. pp. 29, 49, 55.
  • Kanter, L., B.D. Boehm et al. Painting and illumination in early Renaissance Florence, 1300-1450. New York, 1994. pp. 155-176.
  • Watson, Rowan. Vandals and Enthusiasts: Views of Illumination in the Nineteenth Century, London : Victoria and Albert Museum, 1995 no. 6.
  • Gaudenz Freuler, Tendencies of Gothic in Florence: Don Silvestro dei Gherarducci (Florence: Giunti, 1997). pp. 453-521 (esp. pp. 475-486).
  • Watson, R. Illuminated manuscripts and their makers. An account based on the collection of the Victoria & Albert Museum. London, 2003. p. 92.
Other number
967 - Cancelled number
Collection
Accession number
D.229-1906

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Record createdJune 30, 2009
Record URL
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