Kloster, Reichenau im Bodensee
Photograph
1929 (made), 1991 (printed)
1929 (made), 1991 (printed)
| Artist/Maker | |
| Place of origin |
Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career. She taught herself photography to illustrate her own writing on the German Neo-classical architect Friedrich Gilly. In 1929 she bought herself a Leica camera and turned her attention to the new architecture being built around her home town of Frankfurt. The Dutch Modernist architect Mart Stam commissioned her to record several of his ambitious and radical building projects. Dizzy angles, flat plains and strong shadows were all part of a contemporary language of art and design pioneered by both the ‘New Photography’ and the new architecture. In 1930 Bing moved to Paris to concentrate on photography.
Object details
| Categories | |
| Object type | |
| Title | Kloster, Reichenau im Bodensee (generic title) |
| Materials and techniques | Gelatin-silver print |
| Brief description | 'Kloster, Reichenau im Bodensee', photograph by Ilse Bing, 1929, gelatin-silver print, printed 1991 |
| Physical description | Black and white photograph of rooftops. Clay-tiled roof and round turrets with windows form an almost abstract from the high viewpoint. |
| Dimensions |
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| Style | |
| Credit line | Bequeathed by Ilse Bing Wolff |
| Subject depicted | |
| Summary | Ilse Bing (1899–1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career. She taught herself photography to illustrate her own writing on the German Neo-classical architect Friedrich Gilly. In 1929 she bought herself a Leica camera and turned her attention to the new architecture being built around her home town of Frankfurt. The Dutch Modernist architect Mart Stam commissioned her to record several of his ambitious and radical building projects. Dizzy angles, flat plains and strong shadows were all part of a contemporary language of art and design pioneered by both the ‘New Photography’ and the new architecture. In 1930 Bing moved to Paris to concentrate on photography. |
| Collection | |
| Accession number | E.3034-2004 |
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| Record created | August 4, 2004 |
| Record URL |
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