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Drawing

1770
Artist/Maker
Place of origin

A drawing of the upper part of a silver wine cooler. Profile. Shown full size 110 x 168 mm.


Object details

Categories
Object type
Materials and techniques
Pencil, pen and ink and brown wash on laid paper, watermarked GR crowned.
Brief description
A design for the upper part of a silver wine cooler. by John Yenn, after Sir William Chambers, c. 1770
Physical description
A drawing of the upper part of a silver wine cooler. Profile. Shown full size 110 x 168 mm.
Dimensions
  • Height: 198mm
  • Width: 324mm
Style
Marks and inscriptions
  • Signed on the front by C. J. Richardson “Sr W Chambers” and on the corner with an illegible inscription in pencil almost erased, signed on the back by C. J. Richardson “C. J. R.”.
  • 'C.J.R' (Signed on the verso in pencil)
Object history
A design for the upper part of a silver wine cooler. The drawing shows the left hand side of the wine cooler in profile and a view of the handle from the end. The handle is formed as an acanthus stem from which issues an acanthus scroll forming a band around the upper body. The sheet has a ruled pen and ink border, suggesting that it is a presentation drawing. This drawing shows a bellied wine cooler of French type. Bought from the dealer C. J. Richardson in 1864.
Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London. Chambers also designed furniture and silver. The silver is usually linked to clients for whom he was also designing architectural schemes. The designs for silver are all in the hand of the architect John Yenn, who was a pupil of Chambers, for whom he became a leading draughtsman, working for him from 1764 until the late 1770s, when he began to practice on his own account.
Subjects depicted
Bibliographic references
  • ‘The silver designs of Sir William Chambers: a resumé and recent discoveries’, The Silver Society Journal, Vol. 7, 1995, pp. 335-341. ‘Sir William Chambers and John Yenn; designs for silver’, Burlington Magazine, Vol. 128, No. 994, January 1986, pp. 31-35. ‘Silver, Ormolu and ceramics ‘ in John Harris and Michael Snodin (eds), Sir William Chambers , Architect to George III, 1996, pp. 149-162. ‘Sir William Chambers; Catalogues of Architectural Drawings in the Victoria and Albert Museum’ Michael Snodin (ed), 1996, cat 860.
Collection
Accession number
3397

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Record createdJune 30, 2009
Record URL
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