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Metalwork Design

1775
Artist/Maker
Place of origin

A drawing of a silver soup tureen. Profile. Shown less than full size.


Object details

Categories
Object type
Materials and techniques
Pencil, pen and ink and grey wash on laid paper. The sheet is watermarked HIS Ivilledary , ( E. Heawood, <u>Watermarks mainly of the 17th and 18th Century</u>, 1950, N.2971) used on a document in London 1766.
Brief description
A design for a silver soup tureen by John Yenn, after Sir William Chambers, c. 1775
Physical description
A drawing of a silver soup tureen. Profile. Shown less than full size.
Dimensions
  • Height: 285mm
  • Width: 490mm
Style
Object history
A design for a silver soup tureen. On the body lions’ masks and rings joined by garlands. The stem of the base covered in waterleaves decoration. The lid has a gadrooned edge with a pinecone finial. This drawing is mostly taken from a design by Sir William Chambers, pencil additions to the foot are probably Yenn’s ideas. A pair of tureens of similar design (M.8:1 to 3-2010) , but lacking the waterleaf decorated support and replacing the lions’ masks with paterae, was marked by Daniel Smith and Robert Sharp and made in 1771-2 for the fourth Earl Fitzwilliam. Chambers worked for Fitzwilliam at Milton (1770- 1776) and at his London home in Piccadilly (1770- 1770). In an album bought from the dealer B. Quaritch on the 1st August 1863, together with another album for £3-10-0.

Chambers was born in Sweden and died in London. He travelled widely, visiting China, and studied architecture at the Ecole des Arts, Paris, from 1749 and in Italy from 1750 to 1755. Many of his drawings from this period are contained in his important 'Franco-Italian' album, held in the V&A. Chambers moved to London in 1755 and published his influential Treatise on Civil Architecture in 1759. Chambers demonstrated the breadth of his style in buildings such as Gower (later Carrington) House and Melbourne House, London, in such country houses as Duddingston, Scotland, and in the garden architecture he designed for Wilton House, Wiltshire, and at Kew Gardens. He became head of government building in 1782, and in this capacity built Somerset House, London. Chambers also designed furniture and silver. The silver is usually linked to clients for whom he was also designing architectural schemes. The designs for silver are all in the hand of the architect John Yenn, who was a pupil of Chambers, for whom he became a leading draughtsman, working for him from 1764 until the late 1770s, when he began to practice on his own account.
Subjects depicted
Bibliographic references
  • ‘The silver designs of Sir William Chambers: a Resumé and Recent Discoveries’, The Silver Society Journal, Vol. 7, 1995, pp. 335-341, fig 3. ‘Sir William Chambers and the Duke of Marlborough’s Silver’, Apollo, Vol. 125, No. 304, June 1987, pp. 396-400 ‘Sir William Chambers and John Yenn; designs for silver’, Burlington Magazine, Vol. 128, No. 994, January 1986, pp. 31-35, fig 41. ‘Silver, Ormolu and ceramics ‘ in John Harris and Michael Snodin (eds), Sir William Chambers , Architect to George III, 1996, pp. 149-162. ‘Sir William Chambers; Catalogues of Architectural Drawings in the Victoria and Albert Museum’ Michael Snodin (ed), 1996, cat 859.
Collection
Accession number
3861:43

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Record createdJune 30, 2009
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