Headdress thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
The Himalayas and South-East Asia, Room 47a

Headdress

before 1880 (made)
Artist/Maker
Place of origin

The high quality of this magnificent gilded, lacquer tiered headdress studded with brilliants was most likely a product of the court of Mandalay. Its shape is highly conventional and is similar to the crowns worn by Jambhupati Buddhas, royalty and minor deities. It was probably intended to be worn by an actor impersonating the king of Celestial Beings in a court pwe (theatrical production), and would have formed part of a costume based on 19th century ceremonial dress worn by Burmese kings on state occasions.

The first Burmese court play was written in the early 18th century, and both puppet plays and theatrical performances with actors became very popular throughout Burma in the 18th and 19th centuries. These plays were usually linked to an incident from Burmese history or were based on one of the Buddhist Jatakas (stories about the Buddha's previous incarnations).


Object details

Categories
Object type
Materials and techniques
Lacquer, wood and sheet metal, gilded and inlaid with pieces of glass
Brief description
Wood & sheet metal theatrical headdress. Konbaung Dynasty (1752-1885). Lacquered and gilt set with pieces of mirror and imitation stones. Before 1880
Physical description
A tall multitiered theatrical headdress. Shaped like a close fitting helmet which curves across the forehead and extends over the ears and neck. It rises in nine tapering leafy tiers to a voluted finial. The base is decorated with stylised flower heads.
Dimensions
  • Height: 38cm
  • Width: 20cm
Style
Marks and inscriptions
Inscribed inside helmet: "Bengal, 3106 (not 1880 Slip Number), Burmah" (Label; English)
Gallery label
  • 1. Theatrical Headdress 1800–80 Konbaung period The high quality of this magnificent headdress suggests that it was made at the Burmese court. It is similar in shape to the crowns worn by royalty, minor deities and Jambupati Buddhas (see top shelf), but was probably made for a theatrical production. There it would have been worn by an actor impersonating the king of Celestial Beings. Lacquer, wood and sheet metal, gilded and inlaid with pieces of glass Burma (probably Mandalay) Museum no. 06207(IS)(14/06/2011)
Object history
Historical significance: A shape similar to the crowns worn by Burmese kings of the late Konbaung Dynasty and those seen on Jambhupati Buddhas, and minor deities.
Production
Attribution note: Used for dance or the theatre. The high quality of workmanship and material of this headdress suggests that it was probably a product for the Mandalay Court.
Subjects depicted
Summary
The high quality of this magnificent gilded, lacquer tiered headdress studded with brilliants was most likely a product of the court of Mandalay. Its shape is highly conventional and is similar to the crowns worn by Jambhupati Buddhas, royalty and minor deities. It was probably intended to be worn by an actor impersonating the king of Celestial Beings in a court pwe (theatrical production), and would have formed part of a costume based on 19th century ceremonial dress worn by Burmese kings on state occasions.

The first Burmese court play was written in the early 18th century, and both puppet plays and theatrical performances with actors became very popular throughout Burma in the 18th and 19th centuries. These plays were usually linked to an incident from Burmese history or were based on one of the Buddhist Jatakas (stories about the Buddha's previous incarnations).
Bibliographic references
  • Isaacs, Ralph & Blurton, Richard T, Visions from the Golden Land :Burma and the art of lacquer, London, British Museum, 2000 Cat.129
  • Burmese art / John Lowry. London: H. M. Stationery Office, 1974 Number: 0112901794 : cat. no. 48
  • Ayers, J. Oriental Art in the Victoria and Albert Museum, London 1983, ISBN 0-85667-120-7 p. 96
Collection
Accession number
06207(IS)

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Record createdFebruary 1, 1999
Record URL
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