Kimono thumbnail 1
Image of Gallery in South Kensington
Not currently on display at the V&A
On short term loan out for exhibition

Kimono

1910-1930 (made)
Artist/Maker
Place of origin

The striking pattern on this kimono reflects the synthesis of Japan and Europe that characterises much early 20th century Japanese textile design. The powerful, curvilinear energy of the swirling water motif reflects the influence of Art Nouveau. Yet the design has its origins in the Japanese Rimpa style, particularly the work of the 18th-century artist Ogata Korin, which had itself played an important role in the evolution of Art Nouveau in the West. This kimono would have been worn in the summer, its motif of cooling water a visual counterpart to the humid climate. The fabric too is well suited to the weather, being woven in a combination of plain and gauze weave which creates a sheer silk.


Object details

Categories
Object type
Materials and techniques
Stencil-dyed plain and gauze weave silk
Brief description
Kimono, plain and gauze weave silk (ro) with stencil-dyed decoration of flowing water, Japan, 1920-1940
Physical description
Summer kimono (hitoe) of (ro), a fabric in which rows of plain weave alternate with one of gauze weave to create an open, sheer fabric. The dyed motif of swirling water was produced with one large stencil used repeatedly along the length of the cloth. The garment is unlined.
Dimensions
  • Neck to hem length: 141cm
  • Across the shoulders width: 124.5cm
Style
Credit line
Given by Moe Co. Ltd.
Summary
The striking pattern on this kimono reflects the synthesis of Japan and Europe that characterises much early 20th century Japanese textile design. The powerful, curvilinear energy of the swirling water motif reflects the influence of Art Nouveau. Yet the design has its origins in the Japanese Rimpa style, particularly the work of the 18th-century artist Ogata Korin, which had itself played an important role in the evolution of Art Nouveau in the West. This kimono would have been worn in the summer, its motif of cooling water a visual counterpart to the humid climate. The fabric too is well suited to the weather, being woven in a combination of plain and gauze weave which creates a sheer silk.
Bibliographic reference
Miller, Lesley Ellis, and Ana Cabrera Lafuente, with Claire Allen-Johnstone, eds. Silk: Fibre, Fabric and Fashion. London: Thames & Hudson Ltd in association with the Victoria and Albert Museum, 2021. ISBN 978-0-500-48065-6. This object features in the publication Silk: Fibre, Fabric and Fashion (2021)
Collection
Accession number
FE.146-2002

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 1, 2004
Record URL
Download as: JSON