We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.145-2004
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case 3, Shelf G, Box 4

Eat

Poster
1967 (made)
Artist/Maker
Place of origin

Vietnam was the first conflict broadcast to the world by television. The live images and harrowing photography elicited a massive and emotional anti-war movement within America itself. Many artists such as Tomi Ungerer expressed their outrage through the potent medium of posters. The German-born Ungerer, who lived in America between 1956 and 1970, is famous for his acerbic and iconoclastic visual commentaries. This poster makes its impact in a starkly satiric style. His use of the Statue of Liberty subverts a popular symbol of American freedom and has overtones of violation.


Object details

Categories
Object type
TitleEat (assigned by artist)
Materials and techniques
Colour offset lithograph
Brief description
Anti-Vietnam War poster by Tomi Ungerer USA, 1967
Physical description
Illustration of a Vietnamese man, coloured yellow, being force fed the Statue of Liberty. Black background. Red printed letters spell 'EAT.'
Dimensions
  • Height: 68cm
  • Width: 54cm
Marks and inscriptions
EAT (printed in red on white)
Credit line
Gift of the American Friends of the V&A; Gift to the American Friends by Leslie, Judith and Gabri Schreyer and Alice Schreyer Batko
Subjects depicted
Summary
Vietnam was the first conflict broadcast to the world by television. The live images and harrowing photography elicited a massive and emotional anti-war movement within America itself. Many artists such as Tomi Ungerer expressed their outrage through the potent medium of posters. The German-born Ungerer, who lived in America between 1956 and 1970, is famous for his acerbic and iconoclastic visual commentaries. This poster makes its impact in a starkly satiric style. His use of the Statue of Liberty subverts a popular symbol of American freedom and has overtones of violation.
Bibliographic references
  • 'Political Graphics: Art as a Weapon' by Robert Philippe. Oxford: Phaidon. 1982. page 276.
  • 'The Poster Art of Tomi Ungerer' edited by Jack Rennert. New York City: Darien House, Inc. 1971. page 24
  • 'Graphic Agitation' by Liz McQuiston. London: Phaidon, 1993.
Other number
LS.2483 - Leslie Schreyer Loan Number
Collection
Accession number
E.145-2004

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 5, 2004
Record URL
Download as: JSON