Cloak Panel thumbnail 1
Cloak Panel thumbnail 2
Not on display

Cloak Panel

900-1476 (made)
Artist/Maker
Place of origin

The feathers of tropical forest birds made spectacular decorations for robes and headdresses in ancient Peru. Examples have been found in graves with the bodies of their owners, who were buried with clothes and artefacts from their everyday lives.

This panel, made of the colourful feathers of the macaw parrot, probably formed part of the cloak or robe of a person of high rank. Textiles and clothing were very important and clearly indicated a person's status and wealth. They were often presented as diplomatic gifts or at ceremonies.

Hot, dry conditions in the burial grounds provided ideal conditions for the lengthy survival of textiles made from a limited range of fibres: mainly cotton and llama, alpaca or vicuna wool. Peruvians used a variety of techniques which included tapestry weave and embroidery. Featherwork was particularly favoured by the culture which existed in the northern coastal regions of Peru. The feathers were attached by their quills to a cotton background material by cotton cord. Patterns were not just geometric as in this example but might also include images of birds, animals or humans.

Object details

Categories
Object type
Materials and techniques
Woven cotton ground with applied feathers
Brief description
Featherwork panel from a cloak
Physical description
Panel of cotton from a cloak or mantle covered with feathers of the macaw parrot
Dimensions
  • Length: 41cm
  • Width: 54cm
Credit line
Given by Mrs Clay
Summary
The feathers of tropical forest birds made spectacular decorations for robes and headdresses in ancient Peru. Examples have been found in graves with the bodies of their owners, who were buried with clothes and artefacts from their everyday lives.

This panel, made of the colourful feathers of the macaw parrot, probably formed part of the cloak or robe of a person of high rank. Textiles and clothing were very important and clearly indicated a person's status and wealth. They were often presented as diplomatic gifts or at ceremonies.

Hot, dry conditions in the burial grounds provided ideal conditions for the lengthy survival of textiles made from a limited range of fibres: mainly cotton and llama, alpaca or vicuna wool. Peruvians used a variety of techniques which included tapestry weave and embroidery. Featherwork was particularly favoured by the culture which existed in the northern coastal regions of Peru. The feathers were attached by their quills to a cotton background material by cotton cord. Patterns were not just geometric as in this example but might also include images of birds, animals or humans.
Collection
Accession number
T.153-1912

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Record createdJuly 2, 2004
Record URL
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