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Theatre Costume

mid 18th century (made)
Artist/Maker
Place of origin

This costume comes from Meleto Castle in Tuscany, where there is a private theatre, which was opened in 1741. It is a very early example of a costume made specially for the stage and, although probably used in productions of plays, it was also undoubtedly used for masques and other entertainments which included dancing.

Furnishing velvet rather than finger velvet was used as it was more effective in candlelight and because it would better withstand the weight of the metallic embroidery. The use of such precious metals and expensive fabrics was only within the means of rich artistocrats.

Object details

Category
Object type
Materials and techniques
Linen covered in crimson velvet with raised silver embroidery
Brief description
Theatre costume of crimson velvet and silver strip and thread embroidery worn in private court performances in Italy, ca. 1750
Physical description
Italian 18th century stage costume worn in private court performances at the Meleto Castle, Tuscany.
Crimson velvet skirted sleeveless costume fastened at the back with eyelet holes. The basic structure coarse hessian sewn together roughly with coarse linen thread. Covering the linen is crimson velvet with raised silver embroidery in a stylized design of flowers and scrolls on the body, in silver purl and thread, individual motifs on the peplum and scrolls on the body. Two velvets have been used of the late 17th century, the second reused to repair the first.
Dimensions
  • Width: 39cm (Note: approximately)
  • Length: 95cm (Note: approximately)
Object history
This costume comes from Meleto Castle in Tuscany, where there is a private theatre, which was opened in 1741. It is a very early example of a costume made specially for the stage and, although probably used in productions of plays, it was also undoubtedly used for masques and other entertainments which included dancing.

Sarah Woodcock & Philip Dyer, 1981.
Summary
This costume comes from Meleto Castle in Tuscany, where there is a private theatre, which was opened in 1741. It is a very early example of a costume made specially for the stage and, although probably used in productions of plays, it was also undoubtedly used for masques and other entertainments which included dancing.

Furnishing velvet rather than finger velvet was used as it was more effective in candlelight and because it would better withstand the weight of the metallic embroidery. The use of such precious metals and expensive fabrics was only within the means of rich artistocrats.
Bibliographic references
  • Strong, Roy, Ivor Guest, Richard Buckle, Sarah C. Woodcock and Philip Dyer, Spotlight: four centuries of ballet costume, a tribute to the Royal Ballet, London: Victoria and Albert Museum, 1981.
  • Fowler, James (ed.), Images of show business from the Theatre Museum, V & A, London : Methuen, 1982 no.64
  • Inaugural Conference for the Ricasoli Collection Patrons, Politics, Music and Art in Italy, 1738-1859. University of Louisville, March 14-18, 1989
Collection
Accession number
S.92-1978

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Record createdJune 24, 2004
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