Greek Columns
Print
ca. 2000 (made)
ca. 2000 (made)
Artist/Maker | |
Place of origin |
Istvan Orosz works in a tradition of fantasy which can be seen in the work of the Surrealists but also goes back to such artists as Giuseppe Arcimboldo and Piranesi. He frequently uses the style of 16th and 17th century draughtsmen to create his illusions. His work also seems to have developed out of the ideas of the 20th century Dutch artist Maurits Cornelius Escher.
By a very precise construction of architectural features, often with the 'naturalising' effect of landscape also brought into play, Orosz tricks the eye into reading two different images almost simultaneously. At least one writer, Margaret Moore, relates this treatment of the image to the way in which Eastern European artists under Communism 'learned the subtle art of misdirection and hidden messages. There would be a second image hidden in the first and the public always understood to read between the lines see behind the picture'.
By a very precise construction of architectural features, often with the 'naturalising' effect of landscape also brought into play, Orosz tricks the eye into reading two different images almost simultaneously. At least one writer, Margaret Moore, relates this treatment of the image to the way in which Eastern European artists under Communism 'learned the subtle art of misdirection and hidden messages. There would be a second image hidden in the first and the public always understood to read between the lines see behind the picture'.
Object details
Categories | |
Object type | |
Title | Greek Columns (assigned by artist) |
Materials and techniques | Etching on paper |
Brief description | Image from an hexagonal plate of ruined temple in a wooded glade, etching, Istvan Orosz, Hungary |
Physical description | Image from an hexagonal plate of ruined temple in a wooded glade. Tricks of perspective, geometric and pictorial space played with the temple construction in the manner of M.C. Escher |
Dimensions |
|
Copy number | 14/18 |
Marks and inscriptions | Inscribed in the artist's hand below the image: to the left with title in English: Greek Columns; in the centre with edition no. 23/30 and to the right with the artist's signature Istvan Orosz |
Credit line | Purchased through the Julie and Robert Breckman Print Fund |
Subjects depicted | |
Summary | Istvan Orosz works in a tradition of fantasy which can be seen in the work of the Surrealists but also goes back to such artists as Giuseppe Arcimboldo and Piranesi. He frequently uses the style of 16th and 17th century draughtsmen to create his illusions. His work also seems to have developed out of the ideas of the 20th century Dutch artist Maurits Cornelius Escher. By a very precise construction of architectural features, often with the 'naturalising' effect of landscape also brought into play, Orosz tricks the eye into reading two different images almost simultaneously. At least one writer, Margaret Moore, relates this treatment of the image to the way in which Eastern European artists under Communism 'learned the subtle art of misdirection and hidden messages. There would be a second image hidden in the first and the public always understood to read between the lines see behind the picture'. |
Bibliographic reference | Orosz Istvan. Catalogue sponsored by Nemzeti Kulturalis Alapprogram, Papyrus Hungaria Rt.; Pro Kultura Sopron and Utisz Grafic Studio. Budapest, ?2001 |
Collection | |
Accession number | E.1056-2003 |
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Record created | June 17, 2004 |
Record URL |
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