Importance of Being Earnest
Theatre Costume
1993 (made)
1993 (made)
Artist/Maker | |
Place of origin |
This costume was designed by Bob Crowley for Maggie Smith as Lady Bracknell in 1993. Stage costumes are not just beautiful in themselves, but give signals, not just about period, but about the character wearing the costume.
The setting is 1895, and this costume at first glance is a simple translation of historical dress, with tailored jacket and leg-of-mutton sleeves balanced by the width of the skirt. The resulting upright posture implies confidence and self-possession - both notable traits of Lady Bracknell. However, the designer touch comes in the exaggerated shoulder-line achieved not just by the width of the sleeves, but the wide lapels; they created a monumental feel, which is not one whit contradicted by the diagonal stripes at the waist, which, in another costume, would emphasise the smallness of the waist and hence fragility and femininity. The costume calls to mind the power-dressing of the 1980s, which became fashionable during Mrs Thatcher's term as Prime Minister, although it may be fanciful to see the 'Iron Lady' also reflected in the dark grey satin. The huge, plumed hat, adds to the upright structure and the impression of iron will and determination that are part of Lady Bracknell's formidable character.
The setting is 1895, and this costume at first glance is a simple translation of historical dress, with tailored jacket and leg-of-mutton sleeves balanced by the width of the skirt. The resulting upright posture implies confidence and self-possession - both notable traits of Lady Bracknell. However, the designer touch comes in the exaggerated shoulder-line achieved not just by the width of the sleeves, but the wide lapels; they created a monumental feel, which is not one whit contradicted by the diagonal stripes at the waist, which, in another costume, would emphasise the smallness of the waist and hence fragility and femininity. The costume calls to mind the power-dressing of the 1980s, which became fashionable during Mrs Thatcher's term as Prime Minister, although it may be fanciful to see the 'Iron Lady' also reflected in the dark grey satin. The huge, plumed hat, adds to the upright structure and the impression of iron will and determination that are part of Lady Bracknell's formidable character.
Object details
Categories | |
Object type | |
Parts | This object consists of 9 parts. (Some alternative part names are also shown below)
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Title | Importance of Being Earnest (generic title) |
Brief description | Costume worn by Maggie Smith as Lady Bracknell in The Importance of Being Earnest, Aldwych Theatre, London, 1993 |
Dimensions |
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Marks and inscriptions |
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Gallery label | Costume for Lady Bracknell in The Importance of Being Earnest
1993
Maggie Smith’s appearance as Lady Bracknell was
a much anticipated event, and this striking costume
demonstrates a perfect union of character, actor and
costume. The skirt is a simple affair but it is the bodice
that commands the attention and draws the eye to
the grande dame of English drama.
Play by Oscar Wilde, 1895
Aldwych Theatre, London
Satin, silk, lace, braid and feathers
Designed by Bob Crowley
Given by Robert Fox
Museum no. S.108:1, 2 to 4–1993(March 2009) |
Credit line | Given by Robert Fox |
Object history | This costume was worn by Maggie Smith as Lady Bracknell in Oscar Wilde's play The Importance of Being Earnest, Aldwych Theatre, London, 1993. The production was directed by Nicholas Hytner and designed by Bob Crowley. The cast also included Richard E. Grant, Alex Jennings, Claire Skinner, and Margaret Tyzack. |
Summary | This costume was designed by Bob Crowley for Maggie Smith as Lady Bracknell in 1993. Stage costumes are not just beautiful in themselves, but give signals, not just about period, but about the character wearing the costume. The setting is 1895, and this costume at first glance is a simple translation of historical dress, with tailored jacket and leg-of-mutton sleeves balanced by the width of the skirt. The resulting upright posture implies confidence and self-possession - both notable traits of Lady Bracknell. However, the designer touch comes in the exaggerated shoulder-line achieved not just by the width of the sleeves, but the wide lapels; they created a monumental feel, which is not one whit contradicted by the diagonal stripes at the waist, which, in another costume, would emphasise the smallness of the waist and hence fragility and femininity. The costume calls to mind the power-dressing of the 1980s, which became fashionable during Mrs Thatcher's term as Prime Minister, although it may be fanciful to see the 'Iron Lady' also reflected in the dark grey satin. The huge, plumed hat, adds to the upright structure and the impression of iron will and determination that are part of Lady Bracknell's formidable character. |
Collection | |
Accession number | S.108:1 to 9-1993 |
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Record created | June 17, 2004 |
Record URL |
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