Not currently on display at the V&A

No Man's Land

Drawing
2001 (made)
Artist/Maker
Place of origin

As a student of architecture Neil Wenman was interested in the theory and philosophy of architecture as much as in actually making buildings. This drawing was inspired by Wenman’s visit to Berlin to meet Herman Koch, a former member of the Stasi, the much-feared security police of communist East Germany. As a young cartographer in 1961, Koch had the task of mapping the location of the Berlin Wall. In 1990 he managed its demolition.

From conversations with Koch, Wenman developed the concept of ‘mapping’ the history of Berlin in a single drawing. The drawing shows former land use along one stretch of the wall. A graveyard, water wells and the sites of former houses are indicated through rectangular apertures of varying sizes, layered one beneath another.

A book by Wenman, Writing the City: Das Berliner Palimpsest, accompanies the drawing (Museum no. E.3022-2004).

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Object details

Categories
Object type
TitleNo Man's Land (assigned by artist)
Materials and techniques
Pencil on cut and layered paper
Brief description
'No Man's Land' drawing and cut paper work, by Neil Wenman; United Kingdom, 2001
Physical description
Rectangular landscape format work on multiple sheets, each cut into in various places and suspended one behind the other in a deep, double-sided frame. The sheets behind those on the two outer surfaces can be seen successively through the apertures cut away as part of the image.
The overall appearance is of a long strip of tiny, slightly less small, and then larger 'windows' in horizontal, parallel lines, partly evenly spaced, partly with irregular gaps between, surrounded on upper and lower margins by a wide expanse of white card, deeper at the bottom than at the top. A wider, longer aperture is situated slightly to left of centre below the massed 'window' apertures.
There are also drawn lines, some of which broken, as part of the image. In the larger cut-away areas dark, grey-black swirling patterns can be seen.
Dimensions
  • Outside size of frame height: 46. 5cm
  • Outside size of frame width: 103. 5cm
  • Outside size of frame depth: 7cm
  • Sight size excluding frame height: 40.2cm
  • Sight size excluding frame width: 97.3cm
  • Face surface of frame width: 2. 9cm
  • Reveal of frame (between face and glass) depth: 1.2cm
designed to be viewed from both sides
Production typeUnique
Gallery label
Wenman's drawing was inspired by conversations with cartographer Herman Koch. In 1961, Koch had been responsible for mapping the location of the Berlin Wall. Wenman's aim here was to 'map' the history of Berlin in a single layered drawing, showing former land use, such as housing, wells, and graveyards, along part of the wall.(2007)
Credit line
Given by the artist
Object history
Given by the artist, 2004
Subjects depicted
Places depicted
Summary
As a student of architecture Neil Wenman was interested in the theory and philosophy of architecture as much as in actually making buildings. This drawing was inspired by Wenman’s visit to Berlin to meet Herman Koch, a former member of the Stasi, the much-feared security police of communist East Germany. As a young cartographer in 1961, Koch had the task of mapping the location of the Berlin Wall. In 1990 he managed its demolition.

From conversations with Koch, Wenman developed the concept of ‘mapping’ the history of Berlin in a single drawing. The drawing shows former land use along one stretch of the wall. A graveyard, water wells and the sites of former houses are indicated through rectangular apertures of varying sizes, layered one beneath another.

A book by Wenman, Writing the City: Das Berliner Palimpsest, accompanies the drawing (Museum no. E.3022-2004).
Bibliographic reference
Owens, Susan, The Art of Drawing British Masters and Methods since 1600, V&A Publishing, London, 2013, p. 196-197, fig. 156
Collection
Accession number
E.3021-2004

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Record createdJune 11, 2004
Record URL
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