Goddess Annapurna
Painting
mid-19th century (Painted)
mid-19th century (Painted)
Artist/Maker | |
Place of origin |
Annapurna, the provider of rice, gives alms to Shiva, her consort shown here in a mendicant's saffron robes. Annapurna is a form of Durga and often depicted in this format.
Annapurna sits on a lotus and she is depicted with her third eye. She holds in one of her hands a plate full of rice and with the other hand she gives rice to Shiva from a spoon. Annapurna is depicted wearing a blouse under her sari and this is an unusual departure. The contemporary Kalighat paintings as a routine showed women clad in sari but without any blouse and in fact that was customery of the period. Their respective mounts, the lion and the bull, are shown in crouching posture below, both are very stylised. The borders of the painting and the entire composition contains repeated written invocations to Durga in the Bengali script.
Annapurna sits on a lotus and she is depicted with her third eye. She holds in one of her hands a plate full of rice and with the other hand she gives rice to Shiva from a spoon. Annapurna is depicted wearing a blouse under her sari and this is an unusual departure. The contemporary Kalighat paintings as a routine showed women clad in sari but without any blouse and in fact that was customery of the period. Their respective mounts, the lion and the bull, are shown in crouching posture below, both are very stylised. The borders of the painting and the entire composition contains repeated written invocations to Durga in the Bengali script.
Object details
Category | |
Object type | |
Title | Goddess Annapurna (generic title) |
Materials and techniques | Ink on paper |
Brief description | Black and red ink. |
Physical description | Annapurna, the provider of rice, gives alms to Shiva, her consort shown here in a mendicant's saffron robes. Annapurna is a form of Durga and often depicted in this format. Annapurna sits on a lotus and she is depicted with her third eye. She holds in one of her hands a plate full of rice and with the other hand she gives rice to Shiva from a spoon. Annapurna is depicted wearing a blouse under her sari and this is an unusual departure. The contemporary Kalighat paintings as a routine showed women clad in sari but without any blouse and in fact that was customery of the period. Their respective mounts, the lion and the bull, are shown in crouching posture below, both are very stylised. The borders of the painting and the entire composition contains repeated written invocations to Durga in the Bengali script. |
Dimensions |
|
Marks and inscriptions | Repeated invocations to Durga in the Bengali script. |
Object history | Rawson, Philip S., Hayward Gallery and Arts Council of Great Britain. Tantra. Hayward Gallery, London 30 September-7 November 1971. London, Arts Council of Great Britain, [1971]. p. 24, no. 71. |
Subject depicted | |
Bibliographic reference | Arts of Bengal : the heritage of Bangladesh and eastern India : an exhibition organized by the Whitechapel Art Gallery in collaboration with the Victoria and Albert Museum : 9 November-30 December 1979, Whitechapel Art Gallery ..., 12 January-17 February 1980, Manchester City Art Gallery ... . [London]: Whitechapel Art Gallery, [1979] Number: 085488047X (pbk.) :
p.51 |
Collection | |
Accession number | D.422-1889 |
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Record created | June 11, 2004 |
Record URL |
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