Perugino, and his rediscovery by the Pre-Raphaelites
Pietro Vannucci (about 1450 – 1523), known as Perugino, was one of the most successful and influential artists of the Italian Renaissance.
From the collections
99 of 549 objects made by Arundel Society
Copy after the painting St Francis Preaching to the Birds by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Painting, Edward Kaiser, 1874
Watercolour of the interior of the Piccolomini Library copied under the supervision of Cesari Mariannecci, Watercolour, Virgilio Marchi, ca.1867
Copy after the fresco The Procession of the Kings (wall with the Procession of the Middle King, Balthasar), Benozzo Gozzoli in the Palazzo Medici-Riccardi Chapel, Florence, Watercolour, Benozzo Gozzoli, c. 1881
The Resurrection of Christ, Print, published by Arundel Society, 1879
Copy after The Presentation in the Temple, Fra Angelico in the Museo di San Marco (Florence), Chromolithograph, printed by Greve, Wilhelm, 1889
Copy after St Lawrence befor the Emperor and Martyrdom of St Lawrence, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1878
Copy after St Lawrence receiving the treasure of the Church and St Lawrence distributing Alms, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1878
Copy after The Ordination of St Lawrence, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1878
Watercolour, copy after The Ordination of St Stephen and St Stephen Distributing Alms, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1877
Copy after The Expulsion of St Stephen and The Martyrdom of St Stephen, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1878
Copy after St Stephen preaching and St Stephen before the Council, Fra Angelico in the Niccoline Chapel (Vatican, Rome), Watercolour, Angelico, Fra, 1878
Examples of Art Workmanship and Countries, Photograph, Thompson, Charles Thurston, 1867
Portico de la Gloria: Central Pier, showing Statue of Saint Iago. (From North), Photograph, Thompson, Charles Thurston, 1867
Examples of Art Workmanship and Countries, Photograph, Thompson, Charles Thurston, 1867
Examples of Art Workmanship and Countries, Photograph, Thompson, Charles Thurston, 1867
Copy of a detail of the painting The Death of St Francis, head of St Francis, by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Painting, Edward Kaiser, 1874
Copy after the painting St Francis before Pope Honorius by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Watercolour painting, Edward Kaiser, 1873
Copy after the painting The Dream of Innocent III by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Watercolour painting, Edward Kaiser, 1874
Copy after the painting St Francis Drawing water from the rock by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Watercolour painting, Edward Kaiser, 1874
Copy after the painting St Francis appearing to the brethren in a chariot of fire by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Watercolour painting, Edward Kaiser, 1874
Copy after the painting Posthumous Miracle of St Francis by a follower of Giotto in the Lower Church, San Francesco, Assisi, Watercolour painting, Edward Kaiser, 1874
Copy after the painting St Francis Expels Evil Spirits, Painting, Edward Kaiser, 1874
Copy after the painting St Francis Receives the Stigmata by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Painting, Edward Kaiser, 1874
Copy after the painting Death of the Knight of Celano by the Master of the St Francis cycle in the Upper Church, San Francesco, Assisi, Watercolour painting, by Unknown, ca.1862
Copy after the painting The Body of St Francis Met by Santa Chiara by the Master of the St Francis Cycle in the Upper Church, San Francesco Assisi, Watercolour painting, by Unknown, ca.1862
Copy after the painting The Transfiguration by Perugino in the Collegio del Cambio, Perugia., Watercolour, Eliseo Fattorini, 1876
Copy after the painting Moses and the Angel by Perugino in the Collegio del Cambio, Perugia., Watercolour, Eliseo Fattorini, 1871
Copy after the painting Martyrdom of St Sebastian by Perugino in S. Sebastiano, Panicale., Painting, Cesari Mariannecci, 1856
Copy after the painting The Baptism of Christ by Perugino in, Watercolour, Eliseo Fattorini, 1875
Copy after the painting Marriage of the Virgin by Perugino in S. Girolamo, Spello., Watercolour, Eliseo Fattorini, 1871
Copy after the cycle of the Life of St Francis (Renunciation of Worldly Goods), Benozzo Gozzoli in San Francesco, Montefalco, Watercolour, Benozzo Gozzoli, 1872
Copy after the cycle of the Life of St Francis (north wall section), Benozzo Gozzoli in San Francesco, apsidal chapel, Montefalco, Watercolour, Benozzo Gozzoli, 1872
Copy after the fresco of the mock polyptych Virgin and Child with Saints, Benozzo Gozzoli in San Francesco, San Girolamo chapel, Montefalco, Watercolour, Benozzo Gozzoli, 1872
Copy after the cycle of the Life of St Francis (Birth of St Francis), Benozzo Gozzoli in San Francesco, Montefalco, Watercolour, Benozzo Gozzoli, 1872
The Delivery of Keys to St Peter, Painting, Eliseo Fattorini, 1873
St Benedict and the True King Totila, Painting, Edward Kaiser, 1872
The Blessed in Paradise, Painting, Edward Kaiser, ca. 1887
Copy of a detail of the Ghent Altarpiece, Adoration of the Lamb, by Hubert and Jan van Eyck in the church of St Bavon, Ghent., Watercolour, Christian Schultz, 1865
Copy after La Primavera, Sandro Botticelli in the Uffizi (Florence), Watercolour, Botticelli, Sandro, 1860s-1880s
Copy after The Entombment (Lamentation over the Dead Christ), Fra Angelico in the Museo di San Marco (Florence), Watercolour, Angelico, Fra, 1889
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Photograph, Dovizielli, Pietro, 1859
Silver-gilt Salver, Royal Palace of Ajuda, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Salver, Palace of Necessidades, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Silver-gilt Salver, Royal Palace of Ajuda, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Silver-gilt Salver formerly belonging to James de Rothschild, Photograph, Charles Thurston Thompson, ca. 1869
German silver parcel-gilt Salver belonging to Lord Clifford, Photograph, Charles Thurston Thompson, ca. 1869
Silver Salver, Palace of Necessidades, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Plateau or Salver with raised centre with medallion head, Palace of Necessidades, Lisbon, Photograph, Thompson, Charles Thurston, 1866
English silver-gilt Ewer belonging to the Duke of Rutland, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt English Salver designed by Stothard and belonging to Her Majesty the Queen, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Salver, Royal Palace of Ajuda, Lisbon, Photograph, Charles Thurston Thompson, 1866
Silver Salver, Palace of Necessidades, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Silver-gilt Salver, Royal Palace of Ajuda, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Silver-gilt Ewer belonging to Marquess D'Azeglio, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Salver belonging to Captain Leyland, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Ewer or Flagon with arabesques, Palace of the Necessidades, Lisbon, Photograph, Thompson, Charles Thurston, 1866
Silver-gilt Salver belonging to the Hon. R. Curzon, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Ewer belonging to Earl Cowper, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Italian Salver belonging to Earl Cowper, Photograph, Charles Thurston Thompson, ca. 1869
English silver-gilt Salver belonging to the Duke of Rutland, Photograph, Charles Thurston Thompson, ca. 1869
Silver-gilt Ewer belonging to Captain Leyland, Photograph, Charles Thurston Thompson, ca. 1869
Copy after the Birth of Venus by Sandro Botticelli in the Uffizi (Florence), Watercolour, Botticelli, Sandro, 1868
copy after the Burial of Santa Fina, Domenico Ghirlandaio in Collegiata, San Gimignano (Siena), Watercolour, Ghirlandaio, Domenico, 1863
Copy after The Visitation (The meeting of Mary and Elizabeth), Mariotto Albertinelli in the Uffizi (Florence), Watercolour, Mariotto Albertinelli, 1869
Copy after the Punishment of the Rebels ( Destruction of Koran, Dathan and Abirim ), Sandro Botticelli in the Sistine Chapel (Rome), Watercolour, Botticelli, Sandro, 1871
Copy after the painting The Trials of Moses (Moses at the Well) by Sandro Botticelli in the Sistine Chapel (Rome), Watercolour, Botticelli, Sandro, 1870
Copy after the Annunciation, Fra Angelico in the Museo di San Marco (Florence), Watercolour, Angelico, Fra, 1863
Copy after The Coronation of the Virgin, Fra Angelico in the Convent of San Marco (Florence), Watercolour, Angelico, Fra, 1864
Copy after The Transfiguration, Fra Angelico in the Museo di San Marco (Florence), Watercolour, Angelico, Fra, 1860s-1880s
Copy after Christ and Disciples at Emmaus, Fra Bartolomeo in the Convent of San Marco (Florence), Watercolour, Bartolommeo Frà, second half 19th century
Copy after Virgin and Child, Fra Bartolomeo in the Convent of San Marco (Florence), Watercolour, Bartolommeo Frà, second half 19th century
Watercolour, copy after Supper of St Dominic and Crucifixion with Saints, Giovanni Antonio Sogliani in the Convent of San Marco (Florence), Watercolour, Sogliani, Giovanni Antonio, second half 19th century
Copy after The Crucifixion, Fra Angelico in the Museo di San Marco (Florence), Watercolour, Angelico, Fra, 1864
Copy after The Three Maries at the Sepulchre, Fra Angelico in the Museo di San Marco (Florence), Watercolour, Angelico, Fra, mid 19th century
Copy after the Death of St Francis, Domenico Ghirlandaio in the Sassetti Chapel, Chiesa di Santa Trinita (Florence), Watercolour, Ghirlandaio, Domenico, 19th century
Copy after the Death of St Francis, Domenico Ghirlandaio in the Sassetti Chapel, Chiesa di Santa Trinita (Florence), Watercolour, Ghirlandaio, Domenico, 1860
Copy after The Last Supper, Domenico Ghirlandaio in the Chiesa di Ognissanti (Florence), Watercolour, Ghirlandaio, Domenico, 1864
Copy after The meeting of Augustus and the Sibyl, Domenico Ghirlandaio in the Sassetti Chapel, Chiesa di Santa Trinita (Florence), Watercolour, Ghirlandaio, Domenico, 1891
Copy after the Death of Santa Fina, Domenico Ghirlandaio in Collegiata, San Gimignano (Siena), Watercolour, Gnoli, Giuseppe, 1888
Copy after the Nativity of the Virgin, Domenico Ghirlandaio in the Tornabuoni Chapel, Santa Maria Novella (Florence), Watercolour, Ghirlandaio, Domenico, 1860s-1880s
delve deeperDiscover more about Arundel Society